Su kodu ENG15 kaina tik 27,96 €
32,89 €
Two and a Half Words and Other Stories
27,96 € 
- Išsiųsime per 10–14 d.d.
A collection of short stories by Pakistani-born writer Abbas Zaidi. Some may wonder whether or not it is possible for Pakistani writers writing in English to escape the very stereotypes that mobilize the modern perceptions of Pakistan. The world of these stories, whether Pakistan, Borneo, or Singapore may be modern, but it bubbles like a stewpot of the primitive, sometimes the downright atavistic. The crocodiles lie in wait for the Pakistani professionals lured to the river's edge by Filipino p…
27.96
2025-06-22 23:59:00
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- Autorius: Abbas Zaidi
- Leidėjas: Gowanus Books
- Metai: 2012
- Puslapiai: 130
- ISBN-10: 0982606958
- ISBN-13: 9780982606957
- Formatas: 15.2 x 22.9 x 0.8 cm, minkšti viršeliai
- Kalba: Anglų
- Extra -15 % nuolaida šiai knygai su kodu: ENG15
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Aprašymas
A collection of short stories by Pakistani-born writer Abbas Zaidi. Some may wonder whether or not it is possible for Pakistani writers writing in English to escape the very stereotypes that mobilize the modern perceptions of Pakistan. The world of these stories, whether Pakistan, Borneo, or Singapore may be modern, but it bubbles like a stewpot of the primitive, sometimes the downright atavistic. The crocodiles lie in wait for the Pakistani professionals lured to the river's edge by Filipino pondans who may or may not be real women. The characters may be frequently absurd, but they are never just that, and we experience them as both ridiculous, deeply pathetic, and sometimes frightening.EXTRA 15 % nuolaida
27,96 €
32,89 €
Išsiųsime per 10–14 d.d.
Kupono kodas: ENG15
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- Autorius: Abbas Zaidi
- Leidėjas: Gowanus Books
- Metai: 2012
- Puslapiai: 130
- ISBN-10: 0982606958
- ISBN-13: 9780982606957
- Formatas: 15.2 x 22.9 x 0.8 cm, minkšti viršeliai
- Kalba: Anglų
A collection of short stories by Pakistani-born writer Abbas Zaidi. Some may wonder whether or not it is possible for Pakistani writers writing in English to escape the very stereotypes that mobilize the modern perceptions of Pakistan. The world of these stories, whether Pakistan, Borneo, or Singapore may be modern, but it bubbles like a stewpot of the primitive, sometimes the downright atavistic. The crocodiles lie in wait for the Pakistani professionals lured to the river's edge by Filipino pondans who may or may not be real women. The characters may be frequently absurd, but they are never just that, and we experience them as both ridiculous, deeply pathetic, and sometimes frightening.
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