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"There is no greater name in Italian art-therefore no greater in art-than that of Titian." These words of the distinguished art critic, Claude Phillips, express the verdict of more than three centuries. It is agreed that no other painter ever united in himself so many qualities of artistic merit. Other painters may have equalled him in particular respects, but "rounded completeness," quoting another critic's phrase, is "what stamps Titian as a master."
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