68,76 €
80,89 €
-15% su kodu: ENG15
The Literary Monster on Film
68,76 € 
- Išsiųsime per 10–14 d.d.
Many monsters in Victorian British novels were intimately connected with the protagonists, and representative of both the personal failings of a character and the failings of the society in which he or she lived. By contrast, more recent film adaptations of these novels depict the creatures as arbitrarily engaging in senseless violence, and suggest a modern fear of the uncontrollable. This work analyzes the dichotomy through examinations of Shelley's Frankenstein, Stoker's Dracula, H. Rider Hag…
68.76
2025-07-20 23:59:00
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- Autorius: Abigail Burnham Bloom
- Leidėjas: McFarland & Company
- Metai: 2010
- Puslapiai: 218
- ISBN-10: 0786442611
- ISBN-13: 9780786442614
- Formatas: 15 x 22.6 x 1.3 cm, minkšti viršeliai
- Kalba: Anglų
- Extra -15 % nuolaida šiai knygai su kodu: ENG15
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Aprašymas
Many monsters in Victorian British novels were intimately connected with the protagonists, and representative of both the personal failings of a character and the failings of the society in which he or she lived. By contrast, more recent film adaptations of these novels depict the creatures as arbitrarily engaging in senseless violence, and suggest a modern fear of the uncontrollable. This work analyzes the dichotomy through examinations of Shelley's Frankenstein, Stoker's Dracula, H. Rider Haggard's She, Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Wells's The Island of Dr. Moreau, and consideration of the 20th century film adaptations of the works.EXTRA 15 % nuolaida su kodu: ENG15
68,76 €
80,89 €
Išsiųsime per 10–14 d.d.
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- Autorius: Abigail Burnham Bloom
- Leidėjas: McFarland & Company
- Metai: 2010
- Puslapiai: 218
- ISBN-10: 0786442611
- ISBN-13: 9780786442614
- Formatas: 15 x 22.6 x 1.3 cm, minkšti viršeliai
- Kalba: Anglų
Many monsters in Victorian British novels were intimately connected with the protagonists, and representative of both the personal failings of a character and the failings of the society in which he or she lived. By contrast, more recent film adaptations of these novels depict the creatures as arbitrarily engaging in senseless violence, and suggest a modern fear of the uncontrollable. This work analyzes the dichotomy through examinations of Shelley's Frankenstein, Stoker's Dracula, H. Rider Haggard's She, Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Wells's The Island of Dr. Moreau, and consideration of the 20th century film adaptations of the works.
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