The Future of Music + nemokamas atvežimas! | Guerino Mazzola | knygos.lt

Aprašymas

The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions.





Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered.




This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production.




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Part I Introduction.- 1 General Introduction.- 2 Ontology and Oniontology.- 3 The Basic Functions of Music.- 4 Historicity in Music.- 5 Only One Restriction: Quality.- Part II Technological Tools.- 6 Software Tools and Hardware Options.- 7 New Concepts of Musical Instruments.- 8Musical Distribution Channels: New Networks.- 9 Big Science in Music.- Part III Mathematical Concepts.- 10Mathematical Music Theory.- 11Serialism: Failure of New Concepts without Musical Impact.- 12Mazzola’s Sonata Construction: A Technical Approach and its Limits.- 13 Imaginary Time.- 14Mathematical Gesture Theory.- 15 Future Theories (Counterpoint etc.).-Part IV Cultural Extensions.- 16A Critique of the Western Concept of Music.- 17Improvisation and the Synthesis Project on the Presto Software.- 18Art Making as Research.- 19Human and Machine Music.- 20Music in the Diversifying Cultures.- 21Cultural Theories of Gesture.-Part V Creative Strategies.-22 Recapitulation of Creativity Theory.- 23The Specifically Musical Walls Against Creativity.- 24Examples of Creative Extensions in Music.- 25Performance and Composition.- 26Are Aesthetics and Business Antagonists?.-Part VI COMMUTE.- 27ComMute—Towards a Computational Musical Theory of Everything.


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The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions.





Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered.




This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production.




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Presents newest mathematical music theory and embodiment science in a concise way with concrete examples and illustrations

Passes on knowledge of involved professionals as the authors are all active as creators of music and dance


Thematizes the well-known physics principle of a theory of everything in music



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300
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https://covers.springernature.com/boo...


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https://www.springer.com/9783030397081


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http://www.springer.com/


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Springer Nature Imprint
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Springer


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SIP
Springer International Publishing


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05
5251753
Springer International Publishing

Cham
CH
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20200421
2020

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WORLD


08
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235
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155
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27

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9783030397098


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9783030397098


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978-3-030-39709-8

DG


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9783030397111


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9783030397111


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