Pappa in Doubt
- Išparduota
An alternative cover edition for this ISBN can be found here.With Pappa in Doubt, Anton Kannemeyer returns to the fertile land that he explored to brilliant satiric effect in Pappa in Afrika (2010). Once again parodying Hergé’s Tintin in the Congo (1931), Kannemeyer exposes the contradictions and paradoxes of life in the postcolony. The artist is as provocative as he is playful, and does not spare himself the relentless, humorous scrutiny to which he subjects politicians, despots and his neighb…
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- Autorius: Anton Kannemeyer
- Leidėjas Jacana Media
- Metai: 2016
- Puslapiai: 96
- ISBN-10 : 143142210X
- ISBN-13 : 9781431422104
- Formatas: 22.5 x 28.7 x 1.7 cm, kieti viršeliai
- Kalba: Anglų
Atsiliepimai
Aprašymas
An alternative cover edition for this ISBN can be found here.With Pappa in Doubt, Anton Kannemeyer returns to the fertile land that he explored to brilliant satiric effect in Pappa in Afrika (2010). Once again parodying Hergé’s Tintin in the Congo (1931), Kannemeyer exposes the contradictions and paradoxes of life in the postcolony. The artist is as provocative as he is playful, and does not spare himself the relentless, humorous scrutiny to which he subjects politicians, despots and his neighbours in the leafy suburbs.
Išparduota
- Autorius: Anton Kannemeyer
- Leidėjas Jacana Media
- Metai: 2016
- Puslapiai: 96
- ISBN-10: 143142210X
- ISBN-13: 9781431422104
- Formatas 22.5 x 28.7 x 1.7 cm, kieti viršeliai
- Kalba: Anglų
An alternative cover edition for this ISBN can be found here.
With Pappa in Doubt, Anton Kannemeyer returns to the fertile land that he explored to brilliant satiric effect in Pappa in Afrika (2010). Once again parodying Hergé’s Tintin in the Congo (1931), Kannemeyer exposes the contradictions and paradoxes of life in the postcolony. The artist is as provocative as he is playful, and does not spare himself the relentless, humorous scrutiny to which he subjects politicians, despots and his neighbours in the leafy suburbs.
With Pappa in Doubt, Anton Kannemeyer returns to the fertile land that he explored to brilliant satiric effect in Pappa in Afrika (2010). Once again parodying Hergé’s Tintin in the Congo (1931), Kannemeyer exposes the contradictions and paradoxes of life in the postcolony. The artist is as provocative as he is playful, and does not spare himself the relentless, humorous scrutiny to which he subjects politicians, despots and his neighbours in the leafy suburbs.
Atsiliepimai