Nepomuk wakes up in a strange place. Millions upon millions of people around him are drawn towards a river, but Nepomuk is not like the others. After figuring out that he is in fact dead, he refuses to move on without his wife.Not knowing how long he would have to wait and how to find her, he rebuilds their bakery from memory as a beacon. This wonky little bakery shop attracts a congregation of deceased who revel in the seemingly endless possibilities that this desert plain offers and Nepomuk's…
Nepomuk wakes up in a strange place. Millions upon millions of people around him are drawn towards a river, but Nepomuk is not like the others. After figuring out that he is in fact dead, he refuses to move on without his wife. Not knowing how long he would have to wait and how to find her, he rebuilds their bakery from memory as a beacon. This wonky little bakery shop attracts a congregation of deceased who revel in the seemingly endless possibilities that this desert plain offers and Nepomuk's journey transforms into a saga of revelations. A realm that straddles the line between paradise and perdition unfolds, demonstrating that the life lived shapes the dimensions of both.
Nepomuk's initial companion is Humphrey, or perhaps George, or even John—a name shrouded in uncertainty. Following him is Enya, whose passing aligns with the anticipated after a tumultuous existence. Danillo, despite his youth, is the first to wholeheartedly embrace the potential of death, yet he grapples with the absence of both his life and loved ones. Geogina, steadfast and structured even in the afterlife, carries the weight of her disciplined existence, despite finding solace in the cessation of her long journey. Lastly, Mireille, tasked with recording her life's narrative to transcend, embarks on a path to closure. Certainly, we can't omit Cleopatra and Homer—yes, the very same figures—whose paths intersect with Nepomuk's as he journeys toward paradise and beyond.
As the eternities unfurl, the question can love, unvanquished by death, traverse the threshold between realms?
Nepomuk wakes up in a strange place. Millions upon millions of people around him are drawn towards a river, but Nepomuk is not like the others. After figuring out that he is in fact dead, he refuses to move on without his wife. Not knowing how long he would have to wait and how to find her, he rebuilds their bakery from memory as a beacon. This wonky little bakery shop attracts a congregation of deceased who revel in the seemingly endless possibilities that this desert plain offers and Nepomuk's journey transforms into a saga of revelations. A realm that straddles the line between paradise and perdition unfolds, demonstrating that the life lived shapes the dimensions of both.
Nepomuk's initial companion is Humphrey, or perhaps George, or even John—a name shrouded in uncertainty. Following him is Enya, whose passing aligns with the anticipated after a tumultuous existence. Danillo, despite his youth, is the first to wholeheartedly embrace the potential of death, yet he grapples with the absence of both his life and loved ones. Geogina, steadfast and structured even in the afterlife, carries the weight of her disciplined existence, despite finding solace in the cessation of her long journey. Lastly, Mireille, tasked with recording her life's narrative to transcend, embarks on a path to closure. Certainly, we can't omit Cleopatra and Homer—yes, the very same figures—whose paths intersect with Nepomuk's as he journeys toward paradise and beyond.
As the eternities unfurl, the question can love, unvanquished by death, traverse the threshold between realms?
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