11,04 €
12,99 €
-15% su kodu: ENG15
Jean Francois Millet
11,04 € 
- Išsiųsime per 10–14 d.d.
In figure painting Millet sought neither grace nor beauty, but expression. That he regarded neither of these first two qualities as intrinsically unworthy, we may infer from the grace of the Sower, and the naïve beauty of the Shepherdess and the Woman Sewing. But that expression was of paramount interest to him we see clearly in the Angelus and the Man with the Hoe. The leading characteristic of his art is strength, and he distrusted the ordinary elements of prettiness as taking something from…
11.04
2025-07-20 23:59:00
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- Autorius: Estelle M Hurll
- Leidėjas: CreateSpace Independent Publishing Platform
- Metai: 2017
- Puslapiai: 66
- ISBN-10: 1544633904
- ISBN-13: 9781544633909
- Formatas: 15.2 x 22.9 x 0.4 cm, minkšti viršeliai
- Kalba: Anglų
- Extra -15 % nuolaida šiai knygai su kodu: ENG15
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Aprašymas
In figure painting Millet sought neither grace nor beauty, but expression. That he regarded neither of these first two qualities as intrinsically unworthy, we may infer from the grace of the Sower, and the naïve beauty of the Shepherdess and the Woman Sewing. But that expression was of paramount interest to him we see clearly in the Angelus and the Man with the Hoe. The leading characteristic of his art is strength, and he distrusted the ordinary elements of prettiness as taking something from the total effect he wished to produce. "Let no one think that they can force me to prettify my types," he said. "I would rather do nothing than express myself feebly." It was always his first aim to make his people look as if they belonged to their station.EXTRA 15 % nuolaida su kodu: ENG15
11,04 €
12,99 €
Išsiųsime per 10–14 d.d.
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- Autorius: Estelle M Hurll
- Leidėjas: CreateSpace Independent Publishing Platform
- Metai: 2017
- Puslapiai: 66
- ISBN-10: 1544633904
- ISBN-13: 9781544633909
- Formatas: 15.2 x 22.9 x 0.4 cm, minkšti viršeliai
- Kalba: Anglų
In figure painting Millet sought neither grace nor beauty, but expression. That he regarded neither of these first two qualities as intrinsically unworthy, we may infer from the grace of the Sower, and the naïve beauty of the Shepherdess and the Woman Sewing. But that expression was of paramount interest to him we see clearly in the Angelus and the Man with the Hoe. The leading characteristic of his art is strength, and he distrusted the ordinary elements of prettiness as taking something from the total effect he wished to produce. "Let no one think that they can force me to prettify my types," he said. "I would rather do nothing than express myself feebly." It was always his first aim to make his people look as if they belonged to their station.
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