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Grobianus; or, the Compleat Gentleman. An Ironical Poem. In Three Books. Done Into English, From the Original Latin of Friderick Dedekindus, the Second Edition. To Which is Added, a Receipt to Make maw Wallop. By Roger Bull Esq
Grobianus; or, the Compleat Gentleman. An Ironical Poem. In Three Books. Done Into English, From the Original Latin of Friderick Dedekindus, the Second Edition. To Which is Added, a Receipt to Make maw Wallop. By Roger Bull Esq
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them…
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Grobianus; or, the Compleat Gentleman. An Ironical Poem. In Three Books. Done Into English, From the Original Latin of Friderick Dedekindus, the Second Edition. To Which is Added, a Receipt to Make maw Wallop. By Roger Bull Esq + nemokamas atvežimas! | knygos.lt

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T138715

With an index. A reissue of the first edition, with the titlepage and dedication reset, and two leaves paginated 5-7, [1] containing 'A receipt to make maw wallop' inserted between sigs. T2 and T3.

London: printed for T. Cooper, 1739. xiii, [3],276,5-7, [13]p.; 8°

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
British Library

T138715

With an index. A reissue of the first edition, with the titlepage and dedication reset, and two leaves paginated 5-7, [1] containing 'A receipt to make maw wallop' inserted between sigs. T2 and T3.

London: printed for T. Cooper, 1739. xiii, [3],276,5-7, [13]p.; 8°

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