1 IntroductionPart I Africa on the London Stage, 1955-20132 Freedom, London 1955: A Story of Modern Africa Written and Acted by Africans, or Perhaps Not3 Africa on the British Stage, 1955-19664 'On One of Those Sunday Nights': 50 Years of Africa at the Royal Court Theatre5 Biyi Bandele's Theatre of the Afropolitan Absurd6 Nigerian Political Satire at the Soho Theatre: Class, Culture, and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife)7 Black Masculinity and the…
1 IntroductionPart I Africa on the London Stage, 1955-2013 2 Freedom, London 1955: A Story of Modern Africa Written and Acted by Africans, or Perhaps Not3 Africa on the British Stage, 1955-1966 4 'On One of Those Sunday Nights': 50 Years of Africa at the Royal Court Theatre5 Biyi Bandele's Theatre of the Afropolitan Absurd 6 Nigerian Political Satire at the Soho Theatre: Class, Culture, and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife)7 Black Masculinity and the Black Voice: Casting and Canonicity in the National Theatre GalaPart II Companies and Theatre Practitioners 8 Disrupting Historical Mis-representations and Constructions: Talawa Theatre, Tiata Fahodzi, and Representations of Polyphonic Africa on the Contemporary London Stage9 IROKO Theatre and the African Theatre-in-Education Scene in London10 'But [We] Will Delve One Yard Below Their Mines/And Blow Them at the Moon': Two Gents-'Africa', Shakespeare, and the Silent Revolution11 Interview with Ade Solanke 12 Interview with Rotimi Babatunde 13 Interview with Dipo Agboluaje
1 IntroductionPart I Africa on the London Stage, 1955-2013 2 Freedom, London 1955: A Story of Modern Africa Written and Acted by Africans, or Perhaps Not3 Africa on the British Stage, 1955-1966 4 'On One of Those Sunday Nights': 50 Years of Africa at the Royal Court Theatre5 Biyi Bandele's Theatre of the Afropolitan Absurd 6 Nigerian Political Satire at the Soho Theatre: Class, Culture, and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife)7 Black Masculinity and the Black Voice: Casting and Canonicity in the National Theatre GalaPart II Companies and Theatre Practitioners 8 Disrupting Historical Mis-representations and Constructions: Talawa Theatre, Tiata Fahodzi, and Representations of Polyphonic Africa on the Contemporary London Stage9 IROKO Theatre and the African Theatre-in-Education Scene in London10 'But [We] Will Delve One Yard Below Their Mines/And Blow Them at the Moon': Two Gents-'Africa', Shakespeare, and the Silent Revolution11 Interview with Ade Solanke 12 Interview with Rotimi Babatunde 13 Interview with Dipo Agboluaje
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