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On 29 May 1913, at the Theatre de Champs-Elysées in Paris, a new ballet by Diaghilev's Ballets Russes, choreographed by Vaslav Nijinsky, received its premiere. The audience for this opening night of Igor Stravinsky's Le sacre du printemps (The Rite of Spring) included Picasso, Proust, Debussy and Gertrude Stein, alongside theatregoers of more conservative hue. When the curtain rose on a cast of frenziedly stamping dancers, a near-riot ensued, ensuring the evening would enter the folklore of modernism. While it was the dancing that triggered the mayhem, Stravinsky's score contained shocks enough, with its experiments in tonality, metre, rhythm and dissonance. The Rite would achieve recognition in its own right as a concert piece, and is now seen as one of the most influential works of the 20th century.
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