21,39 €
Fires Were Started -
Fires Were Started -
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Fires Were Started -
Fires Were Started -
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21,39 €
Humphrey Jennings (1907-50) was perhaps the most gifted film-maker of the British documentary movement. Involved in the Mass Observation project of the 1930s, Jennings' talent lay in picturing ordinary life in ways that were inventive yet authentic. " Fires Were Started –" (1943) is his major achievement. A film about a day's work for a unit of mainly auxiliary volunteer firemen at the height of the blitz, it blends observation with reconstruction to achieve a particularly poignant kind of prop…
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  • Autorius: Brian Winston
  • Leidėjas:
  • Metai: 2019
  • Puslapiai: 96
  • ISBN: 9781838715823
  • ISBN-10: 1838715827
  • ISBN-13: 9781838715823
  • Formatas: ACSM ?
  • Kalba: Anglų

Fires Were Started - | Brian Winston | knygos.lt

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Humphrey Jennings (1907-50) was perhaps the most gifted film-maker of the British documentary movement. Involved in the Mass Observation project of the 1930s, Jennings' talent lay in picturing ordinary life in ways that were inventive yet authentic. " Fires Were Started –" (1943) is his major achievement. A film about a day's work for a unit of mainly auxiliary volunteer firemen at the height of the blitz, it blends observation with reconstruction to achieve a particularly poignant kind of propaganda.

Lindsay Anderson expressed the opinion of many commentators and viewers when he wrote in Sight and Sound (in a 1954 article reprinted as an appendix to this volume) that Jennings was 'the only real poet the British cinema has yet produced'. But how could a documentarist also be a 'poet'?

This is one of the questions addressed by Brian Winston in his study of " Fires Were Started – ", a question which is particularly relevant today in the wake of the massive public controversies surrounding 'faked' documentaries. For Winston documentary film-making is always 'creatively treated actuality' and must be taken as such if it's to be properly valued and understood.
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Humphrey Jennings (1907-50) was perhaps the most gifted film-maker of the British documentary movement. Involved in the Mass Observation project of the 1930s, Jennings' talent lay in picturing ordinary life in ways that were inventive yet authentic. " Fires Were Started –" (1943) is his major achievement. A film about a day's work for a unit of mainly auxiliary volunteer firemen at the height of the blitz, it blends observation with reconstruction to achieve a particularly poignant kind of propaganda.

Lindsay Anderson expressed the opinion of many commentators and viewers when he wrote in Sight and Sound (in a 1954 article reprinted as an appendix to this volume) that Jennings was 'the only real poet the British cinema has yet produced'. But how could a documentarist also be a 'poet'?

This is one of the questions addressed by Brian Winston in his study of " Fires Were Started – ", a question which is particularly relevant today in the wake of the massive public controversies surrounding 'faked' documentaries. For Winston documentary film-making is always 'creatively treated actuality' and must be taken as such if it's to be properly valued and understood.

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