44,39 €
Cinéma Militant
Cinéma Militant
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Cinéma Militant
Cinéma Militant
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44,39 €
This history covers the filmmaking tradition often referred to as "cin?ma militant," which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants ("sans papiers"), e…
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Cinéma Militant | Paul Douglas Grant | knygos.lt

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This history covers the filmmaking tradition often referred to as "cin?ma militant," which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants ("sans papiers"), entry-level factory workers ("ouvriers sp?cialis?s"), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cin?lutte, Les groupes medvedkine, Atelier de recherche cin?matographique, Cin?thique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.
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This history covers the filmmaking tradition often referred to as "cin?ma militant," which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants ("sans papiers"), entry-level factory workers ("ouvriers sp?cialis?s"), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cin?lutte, Les groupes medvedkine, Atelier de recherche cin?matographique, Cin?thique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.

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