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For years, conventional wisdom has held that theatre companies have to produce brainless, well-known, flashy shows to make money and stay afloat. But one regional theatre company out in the middle of America has been proving since 1991 that conventional wisdom is wrong. New Line Theatre consistently challenges its audiences, taking them on wild, intense, roller coaster rides, assaulting them with issues, challenging them with complex characters and themes, demanding that audiences not remain passive, sometimes producing shows very few people have heard of, daring to be controversial, aggressive, confrontational. And not only has New Line survived its first ten years, it