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Yet Again
Yet Again
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In 1909, ten years had elapsed since Max Beerbohm's last volume of essays. In the time which had passed, his style had evolved to become a little more elegiac, a little less over-consciously clever. Yet Again gave full voice to his new mode, moulded by constant journalism into a superb clear flow. Still present are trenchantly funny criticism of banality, gorgeous erudition, countered expectations and, most of all, delicious irony. In ​Seeing People Off we are asked to examine the terribl…
  • Leidėjas:
  • ISBN-10: 0648590550
  • ISBN-13: 9780648590552
  • Formatas: 12.7 x 17.8 x 1.8 cm, minkšti viršeliai
  • Kalba: Anglų

Yet Again (el. knyga) (skaityta knyga) | Max Beerbohm | knygos.lt

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In 1909, ten years had elapsed since Max Beerbohm's last volume of essays. In the time which had passed, his style had evolved to become a little more elegiac, a little less over-consciously clever. Yet Again gave full voice to his new mode, moulded by constant journalism into a superb clear flow. Still present are trenchantly funny criticism of banality, gorgeous erudition, countered expectations and, most of all, delicious irony. In ​Seeing People Off we are asked to examine the terrible truth behind awkward goodbyes; in A Club in Ruins the strange and lugubrious magnetism of dying buildings is surveyed; in Ichabod​ the author shamefacedly asks himself why he should mind that all the labels have been cleaned from his luggage; in The House of Commons Manner he bemoans the surprising lack of skill in speaking of the august members of that house; and in Dulcedo Judiciorum a full account is rendered of the superiority of the entertainment provided by the law courts over that of the theatre. Alongside seventeen other brilliant essays, there is here also a special section of nine imaginative depictions inspired by famous artworks.

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  • Autorius: Max Beerbohm
  • Leidėjas:
  • ISBN-10: 0648590550
  • ISBN-13: 9780648590552
  • Formatas: 12.7 x 17.8 x 1.8 cm, minkšti viršeliai
  • Kalba: Anglų

In 1909, ten years had elapsed since Max Beerbohm's last volume of essays. In the time which had passed, his style had evolved to become a little more elegiac, a little less over-consciously clever. Yet Again gave full voice to his new mode, moulded by constant journalism into a superb clear flow. Still present are trenchantly funny criticism of banality, gorgeous erudition, countered expectations and, most of all, delicious irony. In ​Seeing People Off we are asked to examine the terrible truth behind awkward goodbyes; in A Club in Ruins the strange and lugubrious magnetism of dying buildings is surveyed; in Ichabod​ the author shamefacedly asks himself why he should mind that all the labels have been cleaned from his luggage; in The House of Commons Manner he bemoans the surprising lack of skill in speaking of the august members of that house; and in Dulcedo Judiciorum a full account is rendered of the superiority of the entertainment provided by the law courts over that of the theatre. Alongside seventeen other brilliant essays, there is here also a special section of nine imaginative depictions inspired by famous artworks.

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