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Words Made Flesh
Words Made Flesh
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Words Made Flesh demonstrates how Romantic-era writers affect, mediate, and ultimately alter our very sense of embodiment in ways that have lasting effects on readers' affective, political, and spiritual lives. Dempsey argues that Romanticism's contribution to our understanding of the postsecular becomes clearer when considered in relation to three timely scholarly conversations not previously synthesized: secular and postsecular studies, affect theory, and media studies. By weaving together th…

Words Made Flesh (el. knyga) (skaityta knyga) | Sean Dempsey | knygos.lt

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Words Made Flesh demonstrates how Romantic-era writers affect, mediate, and ultimately alter our very sense of embodiment in ways that have lasting effects on readers' affective, political, and spiritual lives. Dempsey argues that Romanticism's contribution to our understanding of the postsecular becomes clearer when considered in relation to three timely scholarly conversations not previously synthesized: secular and postsecular studies, affect theory, and media studies. By weaving together these three strands, Words Made Flesh clarifies how Romanticism provides a useful field guide to the new geography of the self ushered in by secular modernity, while also pointing toward potential postsecular futures. Ultimately, Dempsey argues for a view of literature that recognizes it as an essential component to ethical practice.

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Words Made Flesh demonstrates how Romantic-era writers affect, mediate, and ultimately alter our very sense of embodiment in ways that have lasting effects on readers' affective, political, and spiritual lives. Dempsey argues that Romanticism's contribution to our understanding of the postsecular becomes clearer when considered in relation to three timely scholarly conversations not previously synthesized: secular and postsecular studies, affect theory, and media studies. By weaving together these three strands, Words Made Flesh clarifies how Romanticism provides a useful field guide to the new geography of the self ushered in by secular modernity, while also pointing toward potential postsecular futures. Ultimately, Dempsey argues for a view of literature that recognizes it as an essential component to ethical practice.

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