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Where I Live
Where I Live
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25,99 €
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"Where I Live" combines Arundhathi Subramaniam's first two Indian collections of poetry, "On Cleaning Bookshelves" and "Where I Live", with a selection of new work. Her poems explore various ambivalences - around human intimacy with its bottlenecks and surprises, life in a Third World megalopolis, myth, the politics of culture and gender, and the persistent trope of the existential journey. They probe contradictory impulses: the desire for adventure and anchorage; expansion and containment; vul…

Where I Live (el. knyga) (skaityta knyga) | Arundhathi Subramaniam | knygos.lt

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"Where I Live" combines Arundhathi Subramaniam's first two Indian collections of poetry, "On Cleaning Bookshelves" and "Where I Live", with a selection of new work. Her poems explore various ambivalences - around human intimacy with its bottlenecks and surprises, life in a Third World megalopolis, myth, the politics of culture and gender, and the persistent trope of the existential journey. They probe contradictory impulses: the desire for adventure and anchorage; expansion and containment; vulnerability and strength; freedom and belonging; withdrawal and engagement; and, an approach to language as exciting resource and desperate refuge. Her new poems are a meditation on desire - in which the sensual and sacred mingle inextricably. There is a fascination with the skins that separate self from other, self from self, thing from no-thing. These are poems of dark need, of urgency, of desire as derailment, and derailment as possibility.

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"Where I Live" combines Arundhathi Subramaniam's first two Indian collections of poetry, "On Cleaning Bookshelves" and "Where I Live", with a selection of new work. Her poems explore various ambivalences - around human intimacy with its bottlenecks and surprises, life in a Third World megalopolis, myth, the politics of culture and gender, and the persistent trope of the existential journey. They probe contradictory impulses: the desire for adventure and anchorage; expansion and containment; vulnerability and strength; freedom and belonging; withdrawal and engagement; and, an approach to language as exciting resource and desperate refuge. Her new poems are a meditation on desire - in which the sensual and sacred mingle inextricably. There is a fascination with the skins that separate self from other, self from self, thing from no-thing. These are poems of dark need, of urgency, of desire as derailment, and derailment as possibility.

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