36,54 €
42,99 €
-15% su kodu: ENG15
Violinkonzert D-dur Opus 35
36,54 € 
- Išsiųsime per 10–14 d.d.
Eduard Hanslick, a much feared critic in his time, was not very complimentary following its première: the violin was no longer being played but rather “pulled about, torn asunder, beaten black and blue”. Yet he was not able to stop the triumphal march of Tschaikowsky’s only violin concerto. Its incredible technical demands have meant that it is a true test of virtuosity. Its effectivenessis, however, mainly due to its great expressiveness – are there any violinists who do not love the lyrical m…
36.54
2025-08-24 23:59:00
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- Autorius: Peter Iljitsch Tschaikowsky
- Leidėjas: Henle, G. Verlag
- Puslapiai: 140
- ISBN: 9790201806853
- Formatas: 23,5 x 31 x 1,5 cm, minkšti viršeliai
- Kalba: Anglų, Prancūzų, Vokiečių
- Extra -15 % nuolaida šiai knygai su kodu: ENG15
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Eduard Hanslick, a much feared critic in his time, was not very complimentary following its première: the violin was no longer being played but rather “pulled about, torn asunder, beaten black and blue”. Yet he was not able to stop the triumphal march of Tschaikowsky’s only violin concerto. Its incredible technical demands have meant that it is a true test of virtuosity. Its effectivenessis, however, mainly due to its great expressiveness – are there any violinists who do not love the lyrical melancholic “Canzonetta”? – and due to its Slavic temperament. At last and indeed for the first time this milestone in the violinist’s repertoire is now available in a text-criticaledition, which is true to its original form.?EXTRA 15 % nuolaida su kodu: ENG15
36,54 €
42,99 €
Išsiųsime per 10–14 d.d.
Akcija baigiasi už 5d.13:02:16
Nuolaidos kodas galioja perkant nuo 10 €. Nuolaidos nesumuojamos.
- Autorius: Peter Iljitsch Tschaikowsky
- Leidėjas: Henle, G. Verlag
- Puslapiai: 140
- ISBN: 9790201806853
- Formatas: 23,5 x 31 x 1,5 cm, minkšti viršeliai
- Kalba: Anglų, Prancūzų, Vokiečių
Eduard Hanslick, a much feared critic in his time, was not very complimentary following its première: the violin was no longer being played but rather “pulled about, torn asunder, beaten black and blue”. Yet he was not able to stop the triumphal march of Tschaikowsky’s only violin concerto. Its incredible technical demands have meant that it is a true test of virtuosity. Its effectivenessis, however, mainly due to its great expressiveness – are there any violinists who do not love the lyrical melancholic “Canzonetta”? – and due to its Slavic temperament. At last and indeed for the first time this milestone in the violinist’s repertoire is now available in a text-criticaledition, which is true to its original form.?
Atsiliepimai