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Variable Objects
Variable Objects
Knygos.lt klubas Knygos.lt nariams
263,15 €
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Įprastai
309,59 €
  • Išsiųsime per 12–18 d.d.
Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection's essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away…
  • Leidėjas:
  • ISBN-10: 1474481396
  • ISBN-13: 9781474481397
  • Formatas: 15.6 x 23.4 x 1.6 cm, kieti viršeliai
  • Kalba: Anglų

Variable Objects (el. knyga) (skaityta knyga) | knygos.lt

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Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection's essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from the source of appropriation, an object-oriented approach can centralise Shakespeare without the constraints of outdated notions of fidelity. Highlighting the variable materiality inherent in Shakespeare, the collection foregrounds the political ecologies of literary objects as a new methodology for adaptation studies.

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  • Leidėjas:
  • ISBN-10: 1474481396
  • ISBN-13: 9781474481397
  • Formatas: 15.6 x 23.4 x 1.6 cm, kieti viršeliai
  • Kalba: Anglų

Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection's essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from the source of appropriation, an object-oriented approach can centralise Shakespeare without the constraints of outdated notions of fidelity. Highlighting the variable materiality inherent in Shakespeare, the collection foregrounds the political ecologies of literary objects as a new methodology for adaptation studies.

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