Atsiliepimai
Aprašymas
Even though the penultimate poem swears that it's not about Newark, Parents, Religion, or Longing, each poem in this collection gets to the heart of one child's experience of the profound and lasting impact of Vatican II and Vietnam, of the Civil Rights Movement in the U.S. and in Ireland. With evocative detail Kremins revisits the clashing of national and international politics with family values, joys, and traumas. Undressing the World removes layers of convention and silence to reveal a child who is both living innocently with her heroes "in a Technicolor imagination" and also living with the hard earned wisdom that even "Casper couldn't rescue my eyes." These poems are full of the hands that do the undressing: hands praying, hands working, hands caressing, hands harming: "Those hands, eighty seven years of history imprinted on callused / fingertips and broad palms..." In this collection, rich in poetic form and specific cultural and historical images, Kremins takes our hands and invites us to explore identity and loss and the body and tragedy, war and peace, and love and hope in all their variations.
-Lynne McEniry, author of some other wet landscapeEven though the penultimate poem swears that it's not about Newark, Parents, Religion, or Longing, each poem in this collection gets to the heart of one child's experience of the profound and lasting impact of Vatican II and Vietnam, of the Civil Rights Movement in the U.S. and in Ireland. With evocative detail Kremins revisits the clashing of national and international politics with family values, joys, and traumas. Undressing the World removes layers of convention and silence to reveal a child who is both living innocently with her heroes "in a Technicolor imagination" and also living with the hard earned wisdom that even "Casper couldn't rescue my eyes." These poems are full of the hands that do the undressing: hands praying, hands working, hands caressing, hands harming: "Those hands, eighty seven years of history imprinted on callused / fingertips and broad palms..." In this collection, rich in poetic form and specific cultural and historical images, Kremins takes our hands and invites us to explore identity and loss and the body and tragedy, war and peace, and love and hope in all their variations.
-Lynne McEniry, author of some other wet landscape
Atsiliepimai