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Transcultural Things and the Spectre of Orientalism in Early Modern Poland-Lithuania
Transcultural Things and the Spectre of Orientalism in Early Modern Poland-Lithuania
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Transcultural things examines four sets of artefacts from the Polish-Lithuanian Commonwealth: maps pointing to Poland-Lithuania's roots in the supposedly 'Oriental' land of Sarmatia, portrayals of fashions that purport to trace Polish culture back to a distant and revered past, Ottomanesque costumes worn by Polish ambassadors and carpets labelled as Polish despite their foreign provenance. These examples of invented tradition borrowed from abroad played a significant role in narrating and visua…

Transcultural Things and the Spectre of Orientalism in Early Modern Poland-Lithuania (el. knyga) (skaityta knyga) | knygos.lt

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Transcultural things examines four sets of artefacts from the Polish-Lithuanian Commonwealth: maps pointing to Poland-Lithuania's roots in the supposedly 'Oriental' land of Sarmatia, portrayals of fashions that purport to trace Polish culture back to a distant and revered past, Ottomanesque costumes worn by Polish ambassadors and carpets labelled as Polish despite their foreign provenance.

These examples of invented tradition borrowed from abroad played a significant role in narrating and visualising the cultural landscape of Polish-Lithuanian elites. But while modern scholarship defines these objects as exemplars of national heritage, early modern beholders treated them with more flexibility, seeing no contradiction in framing material things as local cultural forms while simultaneously acknowledging their foreign derivation.
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Transcultural things examines four sets of artefacts from the Polish-Lithuanian Commonwealth: maps pointing to Poland-Lithuania's roots in the supposedly 'Oriental' land of Sarmatia, portrayals of fashions that purport to trace Polish culture back to a distant and revered past, Ottomanesque costumes worn by Polish ambassadors and carpets labelled as Polish despite their foreign provenance.

These examples of invented tradition borrowed from abroad played a significant role in narrating and visualising the cultural landscape of Polish-Lithuanian elites. But while modern scholarship defines these objects as exemplars of national heritage, early modern beholders treated them with more flexibility, seeing no contradiction in framing material things as local cultural forms while simultaneously acknowledging their foreign derivation.

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