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Three Titans
Three Titans
Knygos.lt klubas Knygos.lt nariams
34,64 €
-30%
Įprastai
49,49 €
  • Išsiųsime per 12–18 d.d.
Profiles of Michelangelo, Rembrandt and Beethoven. Even in their destinies the three masters are comparable, for their characters were essentially akin and so drew down on each a similar fate. They were all, throughout life, misanthropical, enigmatic, distrustful; and at certain periods each approached the borderland of madness. Despite their prodigious successes, all three had been perpetually in conflict with the world; Michelangelo strove for power, Rembrandt for luxury, Beethoven for love;…
  • Leidėjas:
  • Metai: 2020
  • Puslapiai: 253
  • ISBN-10: 1716619041
  • ISBN-13: 9781716619045
  • Formatas: 15.2 x 22.9 x 1.5 cm, minkšti viršeliai
  • Kalba: Anglų

Three Titans (el. knyga) (skaityta knyga) | Emil Ludwig | knygos.lt

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Profiles of Michelangelo, Rembrandt and Beethoven. Even in their destinies the three masters are comparable, for their characters were essentially akin and so drew down on each a similar fate. They were all, throughout life, misanthropical, enigmatic, distrustful; and at certain periods each approached the borderland of madness. Despite their prodigious successes, all three had been perpetually in conflict with the world; Michelangelo strove for power, Rembrandt for luxury, Beethoven for love; but each attained his desire only by fits and starts, and always at the cost of bitter experiences. All three lost the few men and women whom they loved.

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  • Autorius: Emil Ludwig
  • Leidėjas:
  • Metai: 2020
  • Puslapiai: 253
  • ISBN-10: 1716619041
  • ISBN-13: 9781716619045
  • Formatas: 15.2 x 22.9 x 1.5 cm, minkšti viršeliai
  • Kalba: Anglų

Profiles of Michelangelo, Rembrandt and Beethoven. Even in their destinies the three masters are comparable, for their characters were essentially akin and so drew down on each a similar fate. They were all, throughout life, misanthropical, enigmatic, distrustful; and at certain periods each approached the borderland of madness. Despite their prodigious successes, all three had been perpetually in conflict with the world; Michelangelo strove for power, Rembrandt for luxury, Beethoven for love; but each attained his desire only by fits and starts, and always at the cost of bitter experiences. All three lost the few men and women whom they loved.

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