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Three Poems: Bassacksenglish, Monopoems, Coming(s) Together
Three Poems: Bassacksenglish, Monopoems, Coming(s) Together
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Poetry. Having already established his poetry among the most inventive ever, the distinguished man of avant-garde letters Richard Kostelanetz realizes further radically formal steps in THREE POEMS. Each is a sequence of one-word texts continuously interleaved with the others in an unprecedented way, in sum offering an unprecedented reading experience. The book concludes with Kostelanetz's visual essay Poetry I Shall Not Make. For work of this kind he has earned individual entries in the Readers…
  • Leidėjas:
  • Metai: 2011
  • Puslapiai: 84
  • ISBN-10: 1935520490
  • ISBN-13: 9781935520498
  • Formatas: 15.2 x 22.9 x 0.4 cm, minkšti viršeliai
  • Kalba: Anglų

Three Poems: Bassacksenglish, Monopoems, Coming(s) Together (el. knyga) (skaityta knyga) | knygos.lt

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Poetry. Having already established his poetry among the most inventive ever, the distinguished man of avant-garde letters Richard Kostelanetz realizes further radically formal steps in THREE POEMS. Each is a sequence of one-word texts continuously interleaved with the others in an unprecedented way, in sum offering an unprecedented reading experience. The book concludes with Kostelanetz's visual essay Poetry I Shall Not Make. For work of this kind he has earned individual entries in the Readers Guide to Twentieth-Century Writers, Contemporary Poets, and Britannica.com, among other highly selective directories.

I sense the strength of the narrative (and there are many narratives throughout) to be elastic or plastic: how the reader molds it in his/her/my/your mind.--John Robert Colombo

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  • Autorius: Richard Kostelanetz
  • Leidėjas:
  • Metai: 2011
  • Puslapiai: 84
  • ISBN-10: 1935520490
  • ISBN-13: 9781935520498
  • Formatas: 15.2 x 22.9 x 0.4 cm, minkšti viršeliai
  • Kalba: Anglų

Poetry. Having already established his poetry among the most inventive ever, the distinguished man of avant-garde letters Richard Kostelanetz realizes further radically formal steps in THREE POEMS. Each is a sequence of one-word texts continuously interleaved with the others in an unprecedented way, in sum offering an unprecedented reading experience. The book concludes with Kostelanetz's visual essay Poetry I Shall Not Make. For work of this kind he has earned individual entries in the Readers Guide to Twentieth-Century Writers, Contemporary Poets, and Britannica.com, among other highly selective directories.

I sense the strength of the narrative (and there are many narratives throughout) to be elastic or plastic: how the reader molds it in his/her/my/your mind.--John Robert Colombo

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