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Three Plays
Three Plays
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WINNER OF THE NOBEL PRIZE IN LITERATUREMario Vargas Llosa, the internationally acclaimed novelist and a cultural and political figure in Peru, explores the complexities of Peruvian society and the writer's imagination in three dramas. In The Young Lady from Tacina, history and fiction collide in a 100-year-old woman known as Mamae, as her grand nephew attempts to turn the rich but contradictory stories of her life into a single narrative. In Kathie and the Hippopotamus, a banker's wife recounts…

Three Plays (el. knyga) (skaityta knyga) | Mario Vargas Llosa | knygos.lt

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WINNER OF THE NOBEL PRIZE IN LITERATURE

Mario Vargas Llosa, the internationally acclaimed novelist and a cultural and political figure in Peru, explores the complexities of Peruvian society and the writer's imagination in three dramas.

In The Young Lady from Tacina, history and fiction collide in a 100-year-old woman known as Mamae, as her grand nephew attempts to turn the rich but contradictory stories of her life into a single narrative.

In Kathie and the Hippopotamus, a banker's wife recounts her travel adventures to a writer, but as he embellishes the tales with his own style and tastes, they transform into something altogether new and unexpected.

Finally, in La Chunga, the regulars in a small-town bar trade speculations about what happened between the bar's female owner, a local pimp, and their shared object of desire, who has disappeared.

Vargas Llorca introduces each play with a foreword that helps to place the action in context.
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WINNER OF THE NOBEL PRIZE IN LITERATURE

Mario Vargas Llosa, the internationally acclaimed novelist and a cultural and political figure in Peru, explores the complexities of Peruvian society and the writer's imagination in three dramas.

In The Young Lady from Tacina, history and fiction collide in a 100-year-old woman known as Mamae, as her grand nephew attempts to turn the rich but contradictory stories of her life into a single narrative.

In Kathie and the Hippopotamus, a banker's wife recounts her travel adventures to a writer, but as he embellishes the tales with his own style and tastes, they transform into something altogether new and unexpected.

Finally, in La Chunga, the regulars in a small-town bar trade speculations about what happened between the bar's female owner, a local pimp, and their shared object of desire, who has disappeared.

Vargas Llorca introduces each play with a foreword that helps to place the action in context.

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