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Thinking Cinema with Proust
Thinking Cinema with Proust
Knygos.lt klubas Knygos.lt nariams
148,18 €
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211,69 €
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How can Proust's A la recherche du temps perdu prompt us to re-imagine the cinema? Although no-one goes to the cinema in the novel, and its narrator is critical of a 'merely' cinematographic account of reality, the proposition of Thinking Cinema with Proust is that the Recherche can provide a powerful catalyst for re-thinking the cinema, and that the 'structural absence' of cinema from Proust's novel is rich in implications. Drawing on a complex terrain of intersections and overlaps between the…
  • Leidėjas:
  • ISBN-10: 1781886350
  • ISBN-13: 9781781886359
  • Formatas: 17 x 24.4 x 1.4 cm, kieti viršeliai
  • Kalba: Anglų

Thinking Cinema with Proust (el. knyga) (skaityta knyga) | knygos.lt

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How can Proust's A la recherche du temps perdu prompt us to re-imagine the cinema? Although no-one goes to the cinema in the novel, and its narrator is critical of a 'merely' cinematographic account of reality, the proposition of Thinking Cinema with Proust is that the Recherche can provide a powerful catalyst for re-thinking the cinema, and that the 'structural absence' of cinema from Proust's novel is rich in implications. Drawing on a complex terrain of intersections and overlaps between the experience of the spectator and that of Proust's narrator and reader, the book is focused around a series of motifs - reverie, the camera obscura, the magic lantern, projection, gesture and 'screen memory' - which enable a fluid movement back and forth between Proust and film theory.

Patrick ffrench is Professor of French at King's College London.

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  • Autorius: Patrick Ffrench
  • Leidėjas:
  • ISBN-10: 1781886350
  • ISBN-13: 9781781886359
  • Formatas: 17 x 24.4 x 1.4 cm, kieti viršeliai
  • Kalba: Anglų

How can Proust's A la recherche du temps perdu prompt us to re-imagine the cinema? Although no-one goes to the cinema in the novel, and its narrator is critical of a 'merely' cinematographic account of reality, the proposition of Thinking Cinema with Proust is that the Recherche can provide a powerful catalyst for re-thinking the cinema, and that the 'structural absence' of cinema from Proust's novel is rich in implications. Drawing on a complex terrain of intersections and overlaps between the experience of the spectator and that of Proust's narrator and reader, the book is focused around a series of motifs - reverie, the camera obscura, the magic lantern, projection, gesture and 'screen memory' - which enable a fluid movement back and forth between Proust and film theory.

Patrick ffrench is Professor of French at King's College London.

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