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The Twilight of the Idols and the Anti-Christ
The Twilight of the Idols and the Anti-Christ
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'One must be superior to mankind in force, in loftiness of soul--in contempt'In these two devastating works, Nietzsche offers a sustained and often vitriolic attack on the morality and the beliefs of his time, in particular those of Hegel, Kant and Schopenhaur. Twilight of the Idols is a 'grand declaration of war' on reason, psychology and theology that combines highly charged personal attacks on his contemporaries with a lightning tour of his own philosophy. It also paves the way for The Anti-…

The Twilight of the Idols and the Anti-Christ (el. knyga) (skaityta knyga) | knygos.lt

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'One must be superior to mankind in force, in loftiness of soul--in contempt'

In these two devastating works, Nietzsche offers a sustained and often vitriolic attack on the morality and the beliefs of his time, in particular those of Hegel, Kant and Schopenhaur. Twilight of the Idols is a 'grand declaration of war' on reason, psychology and theology that combines highly charged personal attacks on his contemporaries with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzche's final assault on institutional Christianity, in which he identifies himself with the 'Dionysian' artist and confronts Christ; the only opponent he feels worthy of him.

In his introduction Michael Tanner discussed the themes of Nietzche's argument and places the works in their historical and philosophical context.

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'One must be superior to mankind in force, in loftiness of soul--in contempt'

In these two devastating works, Nietzsche offers a sustained and often vitriolic attack on the morality and the beliefs of his time, in particular those of Hegel, Kant and Schopenhaur. Twilight of the Idols is a 'grand declaration of war' on reason, psychology and theology that combines highly charged personal attacks on his contemporaries with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzche's final assault on institutional Christianity, in which he identifies himself with the 'Dionysian' artist and confronts Christ; the only opponent he feels worthy of him.

In his introduction Michael Tanner discussed the themes of Nietzche's argument and places the works in their historical and philosophical context.

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