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The School jor Scandal
The School jor Scandal
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The School for Scandal: A Comedy by Richard Brinsley Sheridan. The School for Scandal is a play written by Richard Brinsley Sheridan. It was first performed in London at Drury Lane Theatre on 8 May 1777. Various editions of the play exhibit several relatively minor textual differences. One reason is that Sheridan revised his text repeatedly, not only prior to its first production, but afterwards. In its earliest stages, as detailed by Thomas Moore, Sheridan developed two separate play sketches,…

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The School for Scandal: A Comedy by Richard Brinsley Sheridan. The School for Scandal is a play written by Richard Brinsley Sheridan. It was first performed in London at Drury Lane Theatre on 8 May 1777. Various editions of the play exhibit several relatively minor textual differences. One reason is that Sheridan revised his text repeatedly, not only prior to its first production, but afterwards. In its earliest stages, as detailed by Thomas Moore, Sheridan developed two separate play sketches, one initially entitled "The Slanderers" that began with Lady Sneerwell and Spatter (equivalent to Snake in the final version), and the other involving the Teazles. He eventually combined these and with repeated revisions and restructuring arrived at substantially the play that we have today.

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The School for Scandal: A Comedy by Richard Brinsley Sheridan. The School for Scandal is a play written by Richard Brinsley Sheridan. It was first performed in London at Drury Lane Theatre on 8 May 1777. Various editions of the play exhibit several relatively minor textual differences. One reason is that Sheridan revised his text repeatedly, not only prior to its first production, but afterwards. In its earliest stages, as detailed by Thomas Moore, Sheridan developed two separate play sketches, one initially entitled "The Slanderers" that began with Lady Sneerwell and Spatter (equivalent to Snake in the final version), and the other involving the Teazles. He eventually combined these and with repeated revisions and restructuring arrived at substantially the play that we have today.

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