The Public Life of Our Lord Jesus Christ, by bishop Goodier, takes the subject of Christ's life from the coming of John the Baptist until his last day before Palm Sunday and the beginning of His passion. Goodier notes in his introduction: "Hence in a work of this kind it has not seemed necessary to introduce any discussion concerning the four Evangelists, or the authenticity of their work. These have been examined and proved by writers far more skilled and learned than the author and he is cont…
The Public Life of Our Lord Jesus Christ, by bishop Goodier, takes the subject of Christ's life from the coming of John the Baptist until his last day before Palm Sunday and the beginning of His passion. Goodier notes in his introduction: "Hence in a work of this kind it has not seemed necessary to introduce any discussion concerning the four Evangelists, or the authenticity of their work. These have been examined and proved by writers far more skilled and learned than the author and he is content to accept their decision referring readers who would examine these sources to them. On the other hand, when accepting the Gospels, he accepts them wholly and entirely. It seems to him a futile attitude of mind to take a source as authentic, and then, almost entirely from internal evidence, to proceed to whittle it away." Artwork from the Renaissance has been added which is not in the original to aid the reader.
The Public Life of Our Lord Jesus Christ, by bishop Goodier, takes the subject of Christ's life from the coming of John the Baptist until his last day before Palm Sunday and the beginning of His passion. Goodier notes in his introduction: "Hence in a work of this kind it has not seemed necessary to introduce any discussion concerning the four Evangelists, or the authenticity of their work. These have been examined and proved by writers far more skilled and learned than the author and he is content to accept their decision referring readers who would examine these sources to them. On the other hand, when accepting the Gospels, he accepts them wholly and entirely. It seems to him a futile attitude of mind to take a source as authentic, and then, almost entirely from internal evidence, to proceed to whittle it away." Artwork from the Renaissance has been added which is not in the original to aid the reader.
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