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The Path of a Character; Michael Chekhov's Inspired Acting and Theatre Semiotics
The Path of a Character; Michael Chekhov's Inspired Acting and Theatre Semiotics
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Nephew of Anton Chekhov and a disciple of Konstantin Stanislavskii, Russian émigré actor Michael Chekhov (1891-1955) created one of the most challenging and inspiring acting theories of the 20th century. This book is a reinterpretation of Chekhov's theory both in the context of the cultural and political milieu of his time and in the light of theatre semiotics: from Prague Structuralism to French Poststructuralism and contemporary performance theory. This work presents Chekhov's understanding…
  • Leidėjas:
  • ISBN-10: 363153096X
  • ISBN-13: 9783631530962
  • Formatas: 14.8 x 21 x 1.8 cm, minkšti viršeliai
  • Kalba: Anglų

The Path of a Character; Michael Chekhov's Inspired Acting and Theatre Semiotics (el. knyga) (skaityta knyga) | knygos.lt

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Nephew of Anton Chekhov and a disciple of Konstantin Stanislavskii, Russian émigré actor Michael Chekhov (1891-1955) created one of the most challenging and inspiring acting theories of the 20th century. This book is a reinterpretation of Chekhov's theory both in the context of the cultural and political milieu of his time and in the light of theatre semiotics: from Prague Structuralism to French Poststructuralism and contemporary performance theory. This work presents Chekhov's understanding of the actor's stage product - stage mask - as a psychological, psychophysical and cultural construct engaged with the mysteries of the actor/character or, what Mikhail Bakhtin describes as the author/hero, dialectical relationships. It offers new horizons in interdisciplinary and intercultural visions on theatre acting described by Chekhov as a most liberating and cathartic process.

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  • Autorius: Yana Meerzon
  • Leidėjas:
  • ISBN-10: 363153096X
  • ISBN-13: 9783631530962
  • Formatas: 14.8 x 21 x 1.8 cm, minkšti viršeliai
  • Kalba: Anglų

Nephew of Anton Chekhov and a disciple of Konstantin Stanislavskii, Russian émigré actor Michael Chekhov (1891-1955) created one of the most challenging and inspiring acting theories of the 20th century. This book is a reinterpretation of Chekhov's theory both in the context of the cultural and political milieu of his time and in the light of theatre semiotics: from Prague Structuralism to French Poststructuralism and contemporary performance theory. This work presents Chekhov's understanding of the actor's stage product - stage mask - as a psychological, psychophysical and cultural construct engaged with the mysteries of the actor/character or, what Mikhail Bakhtin describes as the author/hero, dialectical relationships. It offers new horizons in interdisciplinary and intercultural visions on theatre acting described by Chekhov as a most liberating and cathartic process.

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