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The Mommo Plays
The Mommo Plays
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BrigitI'd like it to be perfect . . . Beautiful . . . The statue . . . Unbeatable? . . . I'd like it to be what I feel . . . And I don't know what that is.Set in the 1950s, Brigit, a prequel to Murphy's critically-acclaimed Bailegangaire (1985), tells the story of Mommo and Séamus, grandparents living on the breadline, who are raising three grandchildren: Mary, Dolly and Tom, when Séamus is offered a job to carve a statue of St Brigit. Brigit premiered in September 2014, in a production by Dr…

The Mommo Plays (el. knyga) (skaityta knyga) | Tom Murphy | knygos.lt

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Brigit

I'd like it to be perfect . . . Beautiful . . . The statue . . . Unbeatable? . . . I'd like it to be what I feel . . . And I don't know what that is.


Set in the 1950s, Brigit, a prequel to Murphy's critically-acclaimed Bailegangaire (1985), tells the story of Mommo and Séamus, grandparents living on the breadline, who are raising three grandchildren: Mary, Dolly and Tom, when Séamus is offered a job to carve a statue of St Brigit.

Brigit premiered in September 2014, in a production by Druid Theatre Company, Galway, Ireland.

Bailegangaire

'One of the finest and most inventive pieces of Irish dramatic writing ever - the power of its language soaring beyond the loftiest aspirations of Synge and its insights on the human spirit cutting deeper than O'Casey's' - Sunday Independent

A Thief of a Christmas

'Grand opera . . . both timeless and contemporary' - Fintan O'Toole
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Brigit

I'd like it to be perfect . . . Beautiful . . . The statue . . . Unbeatable? . . . I'd like it to be what I feel . . . And I don't know what that is.


Set in the 1950s, Brigit, a prequel to Murphy's critically-acclaimed Bailegangaire (1985), tells the story of Mommo and Séamus, grandparents living on the breadline, who are raising three grandchildren: Mary, Dolly and Tom, when Séamus is offered a job to carve a statue of St Brigit.

Brigit premiered in September 2014, in a production by Druid Theatre Company, Galway, Ireland.

Bailegangaire

'One of the finest and most inventive pieces of Irish dramatic writing ever - the power of its language soaring beyond the loftiest aspirations of Synge and its insights on the human spirit cutting deeper than O'Casey's' - Sunday Independent

A Thief of a Christmas

'Grand opera . . . both timeless and contemporary' - Fintan O'Toole

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