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The End of Lucie Pellegrin
The End of Lucie Pellegrin
Knygos.lt klubas Knygos.lt nariams
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Originally published as La Fin de Lucie Pellegrin, in serial form, in Le Réveil littéraire et artistique, in 1875, and here presented for the first time in English, in a translation by Richard Robinson, The End of Lucie Pellegrin is one of the earliest works of Paul Alexis, one of the foremost disciples of Émile Zola. Inspired by a conversation the author overheard between four women at a common restaurant on the rue Germain-Pilon, this Naturalist novella tells, with exemplar…
  • Leidėjas:
  • Metai: 2020
  • Puslapiai: 78
  • ISBN-10: 1645250431
  • ISBN-13: 9781645250432
  • Formatas: 12.7 x 17.8 x 0.5 cm, minkšti viršeliai
  • Kalba: Anglų

The End of Lucie Pellegrin (el. knyga) (skaityta knyga) | knygos.lt

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Originally published as La Fin de Lucie Pellegrin, in serial form, in Le Réveil littéraire et artistique, in 1875, and here presented for the first time in English, in a translation by Richard Robinson, The End of Lucie Pellegrin is one of the earliest works of Paul Alexis, one of the foremost disciples of Émile Zola.


Inspired by a conversation the author overheard between four women at a common restaurant on the rue Germain-Pilon, this Naturalist novella tells, with exemplary style and symmetry, the story of a courtesan of the lower classes. A valuable document of experimental storytelling, this study of Parisian mores is long overdue for rehabilitation.


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  • Autorius: Paul Alexis
  • Leidėjas:
  • Metai: 2020
  • Puslapiai: 78
  • ISBN-10: 1645250431
  • ISBN-13: 9781645250432
  • Formatas: 12.7 x 17.8 x 0.5 cm, minkšti viršeliai
  • Kalba: Anglų

Originally published as La Fin de Lucie Pellegrin, in serial form, in Le Réveil littéraire et artistique, in 1875, and here presented for the first time in English, in a translation by Richard Robinson, The End of Lucie Pellegrin is one of the earliest works of Paul Alexis, one of the foremost disciples of Émile Zola.


Inspired by a conversation the author overheard between four women at a common restaurant on the rue Germain-Pilon, this Naturalist novella tells, with exemplary style and symmetry, the story of a courtesan of the lower classes. A valuable document of experimental storytelling, this study of Parisian mores is long overdue for rehabilitation.


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