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The Earliest Witnesses
The Earliest Witnesses
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Poetry. Waldrep's seventh collection begins where his prior collection, FEAST GENTLY, left off: This / is how the witness ends: touch, withdraw; touch again, according to the opening poem in THE EARLIEST WITNESSES. If these are poems of witness, then they are also testators to the craft of seeing: eye-proofs of an epiphenomenal world. Can you see this, the ophthalmologist in A Mystic's Guide to Arches asks over and over again. Sight becomes both the facilitator and impediment of desire, in coll…
  • Leidėjas:
  • ISBN-10: 194648248X
  • ISBN-13: 9781946482488
  • Formatas: 14 x 21.6 x 0.8 cm, minkšti viršeliai
  • Kalba: Anglų

The Earliest Witnesses (el. knyga) (skaityta knyga) | Gc Waldrep | knygos.lt

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Poetry. Waldrep's seventh collection begins where his prior collection, FEAST GENTLY, left off: This / is how the witness ends: touch, withdraw; touch again, according to the opening poem in THE EARLIEST WITNESSES. If these are poems of witness, then they are also testators to the craft of seeing: eye-proofs of an epiphenomenal world. Can you see this, the ophthalmologist in A Mystic's Guide to Arches asks over and over again. Sight becomes both the facilitator and impediment of desire, in collusion with language itself. She said, When you say pear, I see p-e-a-r for a second before I see, in my mind's eye, a pear, Waldrep carefully records in [West Stow Orchard Poem (II)]. The desire-poems in THE EARLIEST WITNESSES want the thing itself, its image of the mind, and the language that transmutes both thing and image into song.

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  • Autorius: Gc Waldrep
  • Leidėjas:
  • ISBN-10: 194648248X
  • ISBN-13: 9781946482488
  • Formatas: 14 x 21.6 x 0.8 cm, minkšti viršeliai
  • Kalba: Anglų

Poetry. Waldrep's seventh collection begins where his prior collection, FEAST GENTLY, left off: This / is how the witness ends: touch, withdraw; touch again, according to the opening poem in THE EARLIEST WITNESSES. If these are poems of witness, then they are also testators to the craft of seeing: eye-proofs of an epiphenomenal world. Can you see this, the ophthalmologist in A Mystic's Guide to Arches asks over and over again. Sight becomes both the facilitator and impediment of desire, in collusion with language itself. She said, When you say pear, I see p-e-a-r for a second before I see, in my mind's eye, a pear, Waldrep carefully records in [West Stow Orchard Poem (II)]. The desire-poems in THE EARLIEST WITNESSES want the thing itself, its image of the mind, and the language that transmutes both thing and image into song.

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