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The Development of Western European Stringed Instruments
The Development of Western European Stringed Instruments
Knygos.lt klubas Knygos.lt nariams
32,40 €
-30%
Įprastai
46,29 €
  • Išsiųsime per 12–18 d.d.
This narrative of how stringed instruments evolved in Western Europe focuses on names, playing styles, sizes, tunings, stringings and construction basics, within a chronological framework. The influences of previous instruments and technological developments are outlined. New insights are offered into the early development of most of the instruments, including viols, guitars and violins. Some of the conclusions are likely to differ from the expectations of many current early-music speci…
  • Leidėjas:
  • ISBN-10: 1912271893
  • ISBN-13: 9781912271894
  • Formatas: 21.6 x 27.9 x 1.3 cm, minkšti viršeliai
  • Kalba: Anglų

The Development of Western European Stringed Instruments (el. knyga) (skaityta knyga) | knygos.lt

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This narrative of how stringed instruments evolved in Western Europe focuses on names, playing styles, sizes, tunings, stringings and construction basics, within a chronological framework.


The influences of previous instruments and technological developments are outlined. New insights are offered into the early development of most of the instruments, including viols, guitars and violins. Some of the conclusions are likely to differ from the expectations of many current early-music specialists.

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  • Autorius: Ephraim Segerman
  • Leidėjas:
  • ISBN-10: 1912271893
  • ISBN-13: 9781912271894
  • Formatas: 21.6 x 27.9 x 1.3 cm, minkšti viršeliai
  • Kalba: Anglų

This narrative of how stringed instruments evolved in Western Europe focuses on names, playing styles, sizes, tunings, stringings and construction basics, within a chronological framework.


The influences of previous instruments and technological developments are outlined. New insights are offered into the early development of most of the instruments, including viols, guitars and violins. Some of the conclusions are likely to differ from the expectations of many current early-music specialists.

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