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The Darkroom
The Darkroom
Knygos.lt klubas Knygos.lt nariams
168,97 €
-30%
Įprastai
241,39 €
  • Išsiųsime per 12–18 d.d.
"One must make films with this knowledge: there's no point anymore. Let film meet its end, that's the only cinema." The Darkroom contains the script for Marguerite Duras's 1977 radically experimental film Le camion (The Truck). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Duras in conversation with Gérard Depardieu, Le camion turns the art of film into a means of enabling the viewer to engage multiple faculties--not only the visual and the aural, but also memor…
  • Leidėjas:
  • ISBN-10: 1967751625
  • ISBN-13: 9781967751624
  • Formatas: 12.7 x 20.3 x 1.1 cm, kieti viršeliai
  • Kalba: Anglų

The Darkroom (el. knyga) (skaityta knyga) | Marguerite Duras | knygos.lt

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"One must make films with this knowledge: there's no point anymore. Let film meet its end, that's the only cinema."

The Darkroom contains the script for Marguerite Duras's 1977 radically experimental film Le camion (The Truck). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Duras in conversation with Gérard Depardieu, Le camion turns the art of film into a means of enabling the viewer to engage multiple faculties--not only the visual and the aural, but also memory, imagination, and desire.

Also included here is a series of short essays in which Duras makes provocative connections between film and textuality, as well as a fascinating dialogue with Michelle Porte. Together amounting to a crucial contribution to the field of film theory, these texts make brilliantly apparent the depth and integrity of Duras's aesthetic, philosophical, and political thinking.
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  • Autorius: Marguerite Duras
  • Leidėjas:
  • ISBN-10: 1967751625
  • ISBN-13: 9781967751624
  • Formatas: 12.7 x 20.3 x 1.1 cm, kieti viršeliai
  • Kalba: Anglų

"One must make films with this knowledge: there's no point anymore. Let film meet its end, that's the only cinema."

The Darkroom contains the script for Marguerite Duras's 1977 radically experimental film Le camion (The Truck). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Duras in conversation with Gérard Depardieu, Le camion turns the art of film into a means of enabling the viewer to engage multiple faculties--not only the visual and the aural, but also memory, imagination, and desire.

Also included here is a series of short essays in which Duras makes provocative connections between film and textuality, as well as a fascinating dialogue with Michelle Porte. Together amounting to a crucial contribution to the field of film theory, these texts make brilliantly apparent the depth and integrity of Duras's aesthetic, philosophical, and political thinking.

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