Contains in a single volume The First Book of the Musicians, The Second Book of the Great Musicians, and The Third Book of the Great Musicians.A stimulating introduction to the major composers, the music they wrote, and the instruments they used. For each of the two dozen composers included, the author secures the reader's interest by first relating stories of his childhood, then introducing representative pieces of his music, selected for appeal on first hearing. The reader is led on step by s…
Contains in a single volume The First Book of the Musicians, The Second Book of the Great Musicians, and The Third Book of the Great Musicians.
A stimulating introduction to the major composers, the music they wrote, and the instruments they used. For each of the two dozen composers included, the author secures the reader's interest by first relating stories of his childhood, then introducing representative pieces of his music, selected for appeal on first hearing. The reader is led on step by step to develop his listening skills, often through games of the author's invention. As he is ready to learn more about various aspects of musical form and its development, a chapter appears explaining just that. With the author taking special care to show how the paths of the different musicians intertwine and how supportive they are of each other, it seems as if he is inviting the reader to join the musical community and equipping him to be an appreciative listener, if not a musician himself.
Contains in a single volume The First Book of the Musicians, The Second Book of the Great Musicians, and The Third Book of the Great Musicians.
A stimulating introduction to the major composers, the music they wrote, and the instruments they used. For each of the two dozen composers included, the author secures the reader's interest by first relating stories of his childhood, then introducing representative pieces of his music, selected for appeal on first hearing. The reader is led on step by step to develop his listening skills, often through games of the author's invention. As he is ready to learn more about various aspects of musical form and its development, a chapter appears explaining just that. With the author taking special care to show how the paths of the different musicians intertwine and how supportive they are of each other, it seems as if he is inviting the reader to join the musical community and equipping him to be an appreciative listener, if not a musician himself.
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