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The Comedies of Carlo Goldoni
The Comedies of Carlo Goldoni
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"Painter and son of nature," wrote Voltaire, at that time the arbitrator and the dispenser of fame in cultured Europe, to Carlo Goldoni, then a rising dramatist, "I would entitle your comedies, 'Italy liberated from the Goths.'" The sage of Ferney's quick critical faculty had once again hit its sure mark, for it is Goldoni's supreme merit, and one of his chief titles to fame and glory, that he released the Italian theatre from the bondage of the artificial and pantomime performances that until…

The Comedies of Carlo Goldoni (el. knyga) (skaityta knyga) | knygos.lt

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"Painter and son of nature," wrote Voltaire, at that time the arbitrator and the dispenser of fame in cultured Europe, to Carlo Goldoni, then a rising dramatist, "I would entitle your comedies, 'Italy liberated from the Goths.'" The sage of Ferney's quick critical faculty had once again hit its sure mark, for it is Goldoni's supreme merit, and one of his chief titles to fame and glory, that he released the Italian theatre from the bondage of the artificial and pantomime performances that until then had passed for plays, and that, together with Molière, he laid the foundations of the drama as it is understood in our days.

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"Painter and son of nature," wrote Voltaire, at that time the arbitrator and the dispenser of fame in cultured Europe, to Carlo Goldoni, then a rising dramatist, "I would entitle your comedies, 'Italy liberated from the Goths.'" The sage of Ferney's quick critical faculty had once again hit its sure mark, for it is Goldoni's supreme merit, and one of his chief titles to fame and glory, that he released the Italian theatre from the bondage of the artificial and pantomime performances that until then had passed for plays, and that, together with Molière, he laid the foundations of the drama as it is understood in our days.

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