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The Cinema of Steven Spielberg
The Cinema of Steven Spielberg
Knygos.lt klubas Knygos.lt nariams
160,43 €
-30%
Įprastai
229,19 €
  • Išsiųsime per 12–18 d.d.
Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning adulation or vilificationm - often vitriolic - for epitomising contemporary Hollywood. Detailed textual analyses reveal that alongside conventional commercial appeal, Spielberg's movies function consiste…
  • Leidėjas:
  • Metai: 2007
  • Puslapiai: 224
  • ISBN-10: 1904764894
  • ISBN-13: 9781904764892
  • Formatas: 16.5 x 23.8 x 3.6 cm, kieti viršeliai
  • Kalba: Anglų

The Cinema of Steven Spielberg (el. knyga) (skaityta knyga) | knygos.lt

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Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning adulation or vilificationm - often vitriolic - for epitomising contemporary Hollywood. Detailed textual analyses reveal that alongside conventional commercial appeal, Spielberg's movies function consistently as a self-reflexive commentary on cinema. Rather than straightforwardly consumed realism or fantasy, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies. Exercising powerful emotional appeal, their ambiguities are profitably advantageous in maximising audiences and generating media attention.

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  • Autorius: Nigel Morris
  • Leidėjas:
  • Metai: 2007
  • Puslapiai: 224
  • ISBN-10: 1904764894
  • ISBN-13: 9781904764892
  • Formatas: 16.5 x 23.8 x 3.6 cm, kieti viršeliai
  • Kalba: Anglų

Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning adulation or vilificationm - often vitriolic - for epitomising contemporary Hollywood. Detailed textual analyses reveal that alongside conventional commercial appeal, Spielberg's movies function consistently as a self-reflexive commentary on cinema. Rather than straightforwardly consumed realism or fantasy, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies. Exercising powerful emotional appeal, their ambiguities are profitably advantageous in maximising audiences and generating media attention.

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