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The Ballet Called Giselle
The Ballet Called Giselle
Knygos.lt klubas Knygos.lt nariams
33,73 €
-30%
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48,19 €
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First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle. The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, including a synopsis and accounts of the settings, costumes and creators of the original roles. Part II de…
  • Leidėjas:
  • ISBN-10: 1852731524
  • ISBN-13: 9781852731526
  • Formatas: 15.6 x 23.4 x 1 cm, minkšti viršeliai
  • Kalba: Anglų

The Ballet Called Giselle (el. knyga) (skaityta knyga) | knygos.lt

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First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle. The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, including a synopsis and accounts of the settings, costumes and creators of the original roles. Part II describes the stage action - the steps, gestures and the meanings they express - and analyses the interpretation of the roles. The book concludes with a survey of dancers who won fame for their performances as Giselle and as Albrecht.

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  • Autorius: Cyril W Beaumont
  • Leidėjas:
  • ISBN-10: 1852731524
  • ISBN-13: 9781852731526
  • Formatas: 15.6 x 23.4 x 1 cm, minkšti viršeliai
  • Kalba: Anglų

First published in 1944, this classic book remains the definitive work on the masterpiece of the Romantic Ballet, Giselle. The book is in two parts, the first dealing with the original 1841 production, the second with technical and critical aspects of the ballet. Part I charts the evolution of the Romantic Ballet, and then gives a detailed description of the original production of Giselle, including a synopsis and accounts of the settings, costumes and creators of the original roles. Part II describes the stage action - the steps, gestures and the meanings they express - and analyses the interpretation of the roles. The book concludes with a survey of dancers who won fame for their performances as Giselle and as Albrecht.

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