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The Art of the Moving Picture
The Art of the Moving Picture
Knygos.lt klubas Knygos.lt nariams
16,23 €
-30%
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23,19 €
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"In the field of film aesthetics, it is the first important American work, still important--The Art of the Moving Picture is astonishing."--Stanley Kauffmann Written in 1915, The Art of the Moving Picture by poet Vachel Lindsay is the first book to treat movies as art. Lindsay writes a brilliant analysis of the early silent films (including several now lost films). He is extraordinarily prescient about the future of moviemaking--particularly about the business, the prominence of technology, and…
  • Leidėjas:
  • ISBN-10: 0375756132
  • ISBN-13: 9780375756139
  • Formatas: 14 x 21.6 x 1.6 cm, minkšti viršeliai
  • Kalba: Anglų

The Art of the Moving Picture (el. knyga) (skaityta knyga) | knygos.lt

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"In the field of film aesthetics, it is the first important American work, still important--The Art of the Moving Picture is astonishing."
--Stanley Kauffmann

Written in 1915, The Art of the Moving Picture by poet Vachel Lindsay is the first book to treat movies as art. Lindsay writes a brilliant analysis of the early silent films (including several now lost films). He is extraordinarily prescient about the future of moviemaking--particularly about the business, the prominence of technology, and the emergence of the director as the author of the film.
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  • Autorius: Vachel Lindsay
  • Leidėjas:
  • ISBN-10: 0375756132
  • ISBN-13: 9780375756139
  • Formatas: 14 x 21.6 x 1.6 cm, minkšti viršeliai
  • Kalba: Anglų

"In the field of film aesthetics, it is the first important American work, still important--The Art of the Moving Picture is astonishing."
--Stanley Kauffmann

Written in 1915, The Art of the Moving Picture by poet Vachel Lindsay is the first book to treat movies as art. Lindsay writes a brilliant analysis of the early silent films (including several now lost films). He is extraordinarily prescient about the future of moviemaking--particularly about the business, the prominence of technology, and the emergence of the director as the author of the film.

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