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The Architect and the Social
The Architect and the Social
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Peter Prangnell was an influential architect and educator who taught at the Architectural Association in London, Harvard University, Columbia University, and the University of Toronto, among other institutions. Following a groundbreaking reform of the first-year studio at Columbia University, developed in collaboration with Ray Lifchez, Prangnell was invited in 1967 to reform the five-year professional Bachelor of Architecture degree at the University of Toronto. Emerging from the political and…

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Peter Prangnell was an influential architect and educator who taught at the Architectural Association in London, Harvard University, Columbia University, and the University of Toronto, among other institutions. Following a groundbreaking reform of the first-year studio at Columbia University, developed in collaboration with Ray Lifchez, Prangnell was invited in 1967 to reform the five-year professional Bachelor of Architecture degree at the University of Toronto. Emerging from the political and cultural ferment of the late 1960s and inspired by radical thinkers such as Ivan Illich and Aldo van Eyck, what came to be known as the New Program represented a decisive break from conventional professional training. Rather than privileging stylistic mastery or technical proficiency, the curriculum was organized around five year-long "core problems" that framed architecture as a cultural, ethical, and social practice. Architecture was taught not as an autonomous discipline, but as a form of situated knowledge shaped by everyday life, institutions, and power relations. Although the New Program attracted strong student engagement and critical attention, it eventually proved unsustainable within a contradictory administrative and educational framework--one that sought to deprofessionalize undergraduate education at the same time that the discipline withdrew from architecture's social and political commitments. Edited by Roberto Damiani, this volume revisits the New Program fifty years later through writings by and interviews with Prangnell, alongside contributions from colleagues, former students, and emerging scholars. Together, these voices reframe a pedagogical experiment that challenged disciplinary boundaries and insisted on architecture's social agency--an influential yet largely marginalized legacy whose unresolved questions continue to confront architectural education today.

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Peter Prangnell was an influential architect and educator who taught at the Architectural Association in London, Harvard University, Columbia University, and the University of Toronto, among other institutions. Following a groundbreaking reform of the first-year studio at Columbia University, developed in collaboration with Ray Lifchez, Prangnell was invited in 1967 to reform the five-year professional Bachelor of Architecture degree at the University of Toronto. Emerging from the political and cultural ferment of the late 1960s and inspired by radical thinkers such as Ivan Illich and Aldo van Eyck, what came to be known as the New Program represented a decisive break from conventional professional training. Rather than privileging stylistic mastery or technical proficiency, the curriculum was organized around five year-long "core problems" that framed architecture as a cultural, ethical, and social practice. Architecture was taught not as an autonomous discipline, but as a form of situated knowledge shaped by everyday life, institutions, and power relations. Although the New Program attracted strong student engagement and critical attention, it eventually proved unsustainable within a contradictory administrative and educational framework--one that sought to deprofessionalize undergraduate education at the same time that the discipline withdrew from architecture's social and political commitments. Edited by Roberto Damiani, this volume revisits the New Program fifty years later through writings by and interviews with Prangnell, alongside contributions from colleagues, former students, and emerging scholars. Together, these voices reframe a pedagogical experiment that challenged disciplinary boundaries and insisted on architecture's social agency--an influential yet largely marginalized legacy whose unresolved questions continue to confront architectural education today.

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