The Anomie Review of Contemporary British Painting 4 (el. knyga) (skaityta knyga) | knygos.lt

Aprašymas

Following the success of The Anomie Review of Contemporary British Painting in 2018, The Anomie Review of Contemporary British Painting 2 in 2021, and The Anomie Review of Contemporary British Painting 3 in 2024, a fourth volume has been created to showcase solo exhibitions that have defined contemporary painting since the third volume.

This new anthology presents the work of sixty artists born or living in Britain through documentation and discussion of solo exhibitions of their work in museums and galleries nationally and internationally. Featuring artists at different stages of their careers, from senior figures exhibiting at major museums to emerging artists presenting some of their first commercial or public gallery exhibitions, The Anomie Review of Contemporary British Painting 4 offers an overview of recent activity in the medium of painting in Great Britain.

Artists and venues featured in this new volume include Okiki Akinfe at Peer, London; Tommy Harrison at Iris Art Museum, China; Christina Kimeze at South London Gallery; Minami Kobayashi at Tanya Leighton, Berlin; Lewis Hammond at Hepworth Wakefield; Issy Wood at Kistefos Museum, Norway; Georg Wilson at Pilar Corrias; and Michaela Yearwood-Dan at The Whitworth, Manchester.

The anthology has been selected by London-based publisher and writer Matt Price, who in addition to editing more than seventy catalogues, monographs and books including Phaidon's international anthologies of painting and drawing Vitamin P2 and Vitamin D2, has written for magazines such as Art Monthly, Art Quarterly, ArtReview, and frieze. The publication, which has been project edited by Birmingham-based editor, curator and writer Anneka French, features text entries by Melissa Baksh, Salena Barry, Lauren Dei, Anneka French, Kathryn Lloyd, Anna McNay, and Matt Price.

"It is hard to believe that nobody has thought to publish an anthology of this sort before, so valuable is it to current and future curators, artists and scholars, as well as audiences interested in the medium. A highly enjoyable read."
- Charlotte Keenan McDonald, Curator of British Art, Walker Art Gallery / National Museums Liverpool, endorsing the first volume