Taryn Simon on the public handling of death and loss--its rituals, politics and contradictionsProfessional mourners from different cultural circles strike up dirges simultaneously in Taryn Simon's most recent installation, An Occupation of Loss; viewers are directly confronted with these performances. The artist not only addresses the public handling of death and loss, but also the tension between artificial and genuine emotion. Assisted by scientists, Simon systematically investigated the marg…
Taryn Simon on the public handling of death and loss--its rituals, politics and contradictions
Professional mourners from different cultural circles strike up dirges simultaneously in Taryn Simon's most recent installation, An Occupation of Loss; viewers are directly confronted with these performances. The artist not only addresses the public handling of death and loss, but also the tension between artificial and genuine emotion. Assisted by scientists, Simon systematically investigated the marginalized practices of these grief rituals and initiated the performers' travels; however, some of them were refused entry into the country. The documentation of the immigration procedure is also part of the work.
This artist's book extensively documents Taryn Simon's careful research, tracing the entire project. After its premiere in New York, in the summer of 2017, the Artangel production company will mount An Occupation of Loss in London's Docklands.
Taryn Simon (born 1975) has been the subject of monographic exhibitions at Ullens Center for Contemporary Art, Beijing (2013); The Museum of Modern Art, New York (2012); Tate Modern, London (2011); Neue Nationalgalerie, Berlin (2011); and the Whitney Museum of American Art, New York (2007). Her work is in the permanent collections of The Metropolitan Museum of Art, Tate Modern, the Whitney Museum of American Art, Centre Georges Pompidou and Museum of Contemporary Art, Los Angeles, and was included in the 54th Venice Biennale in 2011 and the Carnegie International in 2013. She is a graduate of Brown University and a Guggenheim Fellow. Simon lives and works in New York.
Taryn Simon on the public handling of death and loss--its rituals, politics and contradictions
Professional mourners from different cultural circles strike up dirges simultaneously in Taryn Simon's most recent installation, An Occupation of Loss; viewers are directly confronted with these performances. The artist not only addresses the public handling of death and loss, but also the tension between artificial and genuine emotion. Assisted by scientists, Simon systematically investigated the marginalized practices of these grief rituals and initiated the performers' travels; however, some of them were refused entry into the country. The documentation of the immigration procedure is also part of the work.
This artist's book extensively documents Taryn Simon's careful research, tracing the entire project. After its premiere in New York, in the summer of 2017, the Artangel production company will mount An Occupation of Loss in London's Docklands.
Taryn Simon (born 1975) has been the subject of monographic exhibitions at Ullens Center for Contemporary Art, Beijing (2013); The Museum of Modern Art, New York (2012); Tate Modern, London (2011); Neue Nationalgalerie, Berlin (2011); and the Whitney Museum of American Art, New York (2007). Her work is in the permanent collections of The Metropolitan Museum of Art, Tate Modern, the Whitney Museum of American Art, Centre Georges Pompidou and Museum of Contemporary Art, Los Angeles, and was included in the 54th Venice Biennale in 2011 and the Carnegie International in 2013. She is a graduate of Brown University and a Guggenheim Fellow. Simon lives and works in New York.
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