A profound and piercing tribute to messy webs of queer friendship and to what is left behind in transition.Everything in Edith’s life is approaching disaster. Her writing career is stagnant. Her love life is a mess. Her ex, Tessa, is marrying a man. Her teeth are rotting in her skull. And her best friend, Val, is dead.Still Life volleys between the present and recent past. Edith was a bumbling college “boy,” pre-transition, in love with Tessa, enamored by Val, and drowning in Boston. She and Te…
A profound and piercing tribute to messy webs of queer friendship and to what is left behind in transition.
Everything in Edith’s life is approaching disaster. Her writing career is stagnant. Her love life is a mess. Her ex, Tessa, is marrying a man. Her teeth are rotting in her skull. And her best friend, Val, is dead.
Still Life volleys between the present and recent past. Edith was a bumbling college “boy,” pre-transition, in love with Tessa, enamored by Val, and drowning in Boston. She and Tessa called each other Joni and Joan, an homage to fledgling adulthood’s musical backdrop. Now, Edith is wracked with guilt over Val. A sometimes-lover, trans mentor, purveyor of estrogen pills and wisdom from a life on the fringe, Val was everything Tessa wasn’t and everything Edith needed. Was Valerie's fatal car crash Edith's fault? Would she have stayed put if Edith had loved her better?
Infused with pop culture, cigarettes, and Sondheim, Katherine Packert Burke traces the lives of three women, trans and cis, here and gone, to craft a tableau of modern womanhood.
A profound and piercing tribute to messy webs of queer friendship and to what is left behind in transition.
Everything in Edith’s life is approaching disaster. Her writing career is stagnant. Her love life is a mess. Her ex, Tessa, is marrying a man. Her teeth are rotting in her skull. And her best friend, Val, is dead.
Still Life volleys between the present and recent past. Edith was a bumbling college “boy,” pre-transition, in love with Tessa, enamored by Val, and drowning in Boston. She and Tessa called each other Joni and Joan, an homage to fledgling adulthood’s musical backdrop. Now, Edith is wracked with guilt over Val. A sometimes-lover, trans mentor, purveyor of estrogen pills and wisdom from a life on the fringe, Val was everything Tessa wasn’t and everything Edith needed. Was Valerie's fatal car crash Edith's fault? Would she have stayed put if Edith had loved her better?
Infused with pop culture, cigarettes, and Sondheim, Katherine Packert Burke traces the lives of three women, trans and cis, here and gone, to craft a tableau of modern womanhood.
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