Knygos.lt nariams
Knygos.lt nariams
- Išsiųsime per 12–18 d.d.
/images/books/4414372/9780813940076.jpg)
- Autorius: Emily Sahakian
- Leidėjas: University of Virginia Press
- ISBN-10: 0813940079
- ISBN-13: 9780813940076
- Formatas: 15.6 x 23 x 2.4 cm, kieti viršeliai
- Kalba: Anglų
Atsiliepimai
Aprašymas
In Staging Creolization, Emily Sahakian examines seven plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization--the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism.
Sahakian here theorizes creolization as a performance-based process, dramatized by French Caribbean women's plays and enacted through their international production and reception histories. The author contends that the syncretism of the plays is not a static, fixed creole aesthetics but rather a dynamic process of creolization in motion, informed by history and based in the African-derived principle that performance is a space of creativity and transformation that connects past, present, and future.
- Autorius: Emily Sahakian
- Leidėjas: University of Virginia Press
- ISBN-10: 0813940079
- ISBN-13: 9780813940076
- Formatas: 15.6 x 23 x 2.4 cm, kieti viršeliai
- Kalba: Anglų
In Staging Creolization, Emily Sahakian examines seven plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization--the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism.
Sahakian here theorizes creolization as a performance-based process, dramatized by French Caribbean women's plays and enacted through their international production and reception histories. The author contends that the syncretism of the plays is not a static, fixed creole aesthetics but rather a dynamic process of creolization in motion, informed by history and based in the African-derived principle that performance is a space of creativity and transformation that connects past, present, and future.
Atsiliepimai