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How do we find a way to exist equitably in the world without exhausting our natural and cultural resources? Exploring how to create belonging, among both human and nonhuman animals, is our essential work. Parents have the added responsibility of conveying this charge to their children in a way that centers hope and empowerment over guilt and fear.
In
Satellite
, Simmons Buntin delves into the idea of belonging—in place, time, family, and community—in sixteen essays written over nearly two decades. The pieces range throughout the desert Southwest, on both sides of the U.S.-Mexico border, and as far afield as Mount Saint Helens, eastern Montana, northern Vermont, Sweden, and even the moon (if a telescope atop Kitt Peak counts). Buntin examines the beauty and challenges of raising a family and creating more sustainable communities in the Sonoran Desert—and, more broadly, in any of America’s diverse cultural and ecological landscapes. How should community be defined? How do we protect heritage in an age of globalization? How do we find renewal following personal and place-based trauma? What forms may grace take, and how can parents pass that dignity on to their children?
Fortunately, it is a responsibility both shared and rewarding, funny and phenomenal, for at every turn there is a new discovery, a new insight, a new integration between ourselves and the world that culminates, when we succeed, in a vibrant sense of place. Buntin searches for a balance between the built and natural environments and the beings that inhabit them in a way that enables us not only to survive but to thrive together.
“What I love best about Satellite is that unlike so many of his predecessors, Simmons Buntin is never torn between loving the wilderness and loving his family, between wanting to explore with his camera and wanting to explore with his young daughters. The love for one increases the love for the other in a sort of whirlwind of curiosity, generosity and deep feeling. These are thoughtful, detail-rich essays that are deeply engaged with the natural world and with humans as part of the menagerie. They model in the best way what I have lately heard called tonic masculinity, and manage to have a great deal of fun in the process.”
— Pam Houston, author of Deep Creek: Finding Hope in the High Country
“The best personal essays offer insights into the world as well as the writer. Simmons Buntin manages that fine balance in this collection, which ranges geographically across the American West, from his Tucson backyard to the slopes of Mount Saint Helens, and ranges autobiographically from memories of growing up as the son of a troubled mother to scenes of delight and anguish as the father of two young daughters. Readers will find him an illuminating guide as he searches for beauty and spiritual grounding in nature, a search reflected in the haunting photographs that accompany each essay.”
— Scott Russell Sanders, author of The Way of Imagination
How do we find a way to exist equitably in the world without exhausting our natural and cultural resources? Exploring how to create belonging, among both human and nonhuman animals, is our essential work. Parents have the added responsibility of conveying this charge to their children in a way that centers hope and empowerment over guilt and fear.
In
Satellite
, Simmons Buntin delves into the idea of belonging—in place, time, family, and community—in sixteen essays written over nearly two decades. The pieces range throughout the desert Southwest, on both sides of the U.S.-Mexico border, and as far afield as Mount Saint Helens, eastern Montana, northern Vermont, Sweden, and even the moon (if a telescope atop Kitt Peak counts). Buntin examines the beauty and challenges of raising a family and creating more sustainable communities in the Sonoran Desert—and, more broadly, in any of America’s diverse cultural and ecological landscapes. How should community be defined? How do we protect heritage in an age of globalization? How do we find renewal following personal and place-based trauma? What forms may grace take, and how can parents pass that dignity on to their children?
Fortunately, it is a responsibility both shared and rewarding, funny and phenomenal, for at every turn there is a new discovery, a new insight, a new integration between ourselves and the world that culminates, when we succeed, in a vibrant sense of place. Buntin searches for a balance between the built and natural environments and the beings that inhabit them in a way that enables us not only to survive but to thrive together.
“What I love best about Satellite is that unlike so many of his predecessors, Simmons Buntin is never torn between loving the wilderness and loving his family, between wanting to explore with his camera and wanting to explore with his young daughters. The love for one increases the love for the other in a sort of whirlwind of curiosity, generosity and deep feeling. These are thoughtful, detail-rich essays that are deeply engaged with the natural world and with humans as part of the menagerie. They model in the best way what I have lately heard called tonic masculinity, and manage to have a great deal of fun in the process.”
— Pam Houston, author of Deep Creek: Finding Hope in the High Country
“The best personal essays offer insights into the world as well as the writer. Simmons Buntin manages that fine balance in this collection, which ranges geographically across the American West, from his Tucson backyard to the slopes of Mount Saint Helens, and ranges autobiographically from memories of growing up as the son of a troubled mother to scenes of delight and anguish as the father of two young daughters. Readers will find him an illuminating guide as he searches for beauty and spiritual grounding in nature, a search reflected in the haunting photographs that accompany each essay.”
— Scott Russell Sanders, author of The Way of Imagination
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