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Sandra Gamarra Heshiki: Réplica
Sandra Gamarra Heshiki: Réplica
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Framed within the context of an imaginary museum, Gamarra's interventions into the language of colonialism address individual, institutional and systemic violenceAppropriation is central to the practice of Peruvian artist Sandra Gamarra Heshiki (born 1972), who often adopts the language and aesthetics of the colonizer to critique systemic violence. Réplica installs her paintings and installations within a fictional museum of the artist's own making.

Sandra Gamarra Heshiki: Réplica (el. knyga) (skaityta knyga) | knygos.lt

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Framed within the context of an imaginary museum, Gamarra's interventions into the language of colonialism address individual, institutional and systemic violence

Appropriation is central to the practice of Peruvian artist Sandra Gamarra Heshiki (born 1972), who often adopts the language and aesthetics of the colonizer to critique systemic violence. Réplica installs her paintings and installations within a fictional museum of the artist's own making.

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Framed within the context of an imaginary museum, Gamarra's interventions into the language of colonialism address individual, institutional and systemic violence

Appropriation is central to the practice of Peruvian artist Sandra Gamarra Heshiki (born 1972), who often adopts the language and aesthetics of the colonizer to critique systemic violence. Réplica installs her paintings and installations within a fictional museum of the artist's own making.

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