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Sabbat
Sabbat
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Sabbat, by Hélène Picard (1873-1945), first published in 1923, is one of the most forthright contributions to the rich French tradition of "literary Satanism." It was issued as part of a "Collection Colette," and is dedicated to Colette, who also provided the preface, the brief text of which implies strongly that the book was commissioned by her. Seeing Satan emerging from a poppy and accepting him as her poetic savior, Picard sets forth in this series of interlocked prose-poems to unpack the…
  • Leidėjas:
  • Metai: 2022
  • Puslapiai: 288
  • ISBN-10: 1645251101
  • ISBN-13: 9781645251101
  • Formatas: 14 x 21.6 x 1.7 cm, minkšti viršeliai
  • Kalba: Anglų

Sabbat (el. knyga) (skaityta knyga) | Hélène Picard | knygos.lt

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Sabbat, by Hélène Picard (1873-1945), first published in 1923, is one of the most forthright contributions to the rich French tradition of "literary Satanism." It was issued as part of a "Collection Colette," and is dedicated to Colette, who also provided the preface, the brief text of which implies strongly that the book was commissioned by her.


Seeing Satan emerging from a poppy and accepting him as her poetic savior, Picard sets forth in this series of interlocked prose-poems to unpack the notion of Satanism and specify its real implications, with a surreal flamboyance that is typically "decadent" and which Baudelaire would surely have understood and approved of.


Though exceedingly obscure, Sabbat, here presented for the first time in English, in a fine translation by Brian Stableford, is a very intriguing work, of considerable importance as a late addition to the canon of Decadent literature, which deserves to be much more widely read and appreciated.

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  • Autorius: Hélène Picard
  • Leidėjas:
  • Metai: 2022
  • Puslapiai: 288
  • ISBN-10: 1645251101
  • ISBN-13: 9781645251101
  • Formatas: 14 x 21.6 x 1.7 cm, minkšti viršeliai
  • Kalba: Anglų

Sabbat, by Hélène Picard (1873-1945), first published in 1923, is one of the most forthright contributions to the rich French tradition of "literary Satanism." It was issued as part of a "Collection Colette," and is dedicated to Colette, who also provided the preface, the brief text of which implies strongly that the book was commissioned by her.


Seeing Satan emerging from a poppy and accepting him as her poetic savior, Picard sets forth in this series of interlocked prose-poems to unpack the notion of Satanism and specify its real implications, with a surreal flamboyance that is typically "decadent" and which Baudelaire would surely have understood and approved of.


Though exceedingly obscure, Sabbat, here presented for the first time in English, in a fine translation by Brian Stableford, is a very intriguing work, of considerable importance as a late addition to the canon of Decadent literature, which deserves to be much more widely read and appreciated.

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