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Knygos.lt nariams
- Išsiųsime per 12–18 d.d.
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- Autorius: Joellen A Meglin
- Leidėjas: Oxford University Press, USA
- ISBN-10: 0190205164
- ISBN-13: 9780190205164
- Formatas: 16.3 x 22.9 x 5.1 cm, kieti viršeliai
- Kalba: Anglų
Atsiliepimai
Aprašymas
In Ruth Page: The Woman in the Work, the Chicago ballerina emerges as a highly original choreographer who, in her art, sought the iconoclastic as she transgressed boundaries of genre, gender, race, class, and sexuality. Author Joellen A. Meglin shows how her works were often controversial and
sometimes censored even as she succeeded in roles usually reserved for men in the ballet world: choreographer, artistic director, and impresario.
the global reach of Ruth Page's career spanning the greater part of the twentieth century. In the process of discovering the woman in the work, one encounters with an international cast of dancers (Anna Pavlova, Harald Kreutzberg, Frederic Franklin, Alicia Markova), composers (William Grant Still,
Aaron Copland, Jerome Moross, Darius Milhaud), visual artists (Noguchi, Pavel Tchelitchew, Antoni Clavé), and companies (Ballet Russe de Monte Carlo, Ballets des Champs-Elysées, London Festival Ballet). Disrupting notions that New York was the only cradle of the American ballet, and George
Balanchine, its exponent to eclipse all others, Ruth Page explores the woman's unique sensibility, corporeal praxis, and collaborative ethos to reveal her Chicago-centered network of creativity.
- Autorius: Joellen A Meglin
- Leidėjas: Oxford University Press, USA
- ISBN-10: 0190205164
- ISBN-13: 9780190205164
- Formatas: 16.3 x 22.9 x 5.1 cm, kieti viršeliai
- Kalba: Anglų
In Ruth Page: The Woman in the Work, the Chicago ballerina emerges as a highly original choreographer who, in her art, sought the iconoclastic as she transgressed boundaries of genre, gender, race, class, and sexuality. Author Joellen A. Meglin shows how her works were often controversial and
sometimes censored even as she succeeded in roles usually reserved for men in the ballet world: choreographer, artistic director, and impresario.
the global reach of Ruth Page's career spanning the greater part of the twentieth century. In the process of discovering the woman in the work, one encounters with an international cast of dancers (Anna Pavlova, Harald Kreutzberg, Frederic Franklin, Alicia Markova), composers (William Grant Still,
Aaron Copland, Jerome Moross, Darius Milhaud), visual artists (Noguchi, Pavel Tchelitchew, Antoni Clavé), and companies (Ballet Russe de Monte Carlo, Ballets des Champs-Elysées, London Festival Ballet). Disrupting notions that New York was the only cradle of the American ballet, and George
Balanchine, its exponent to eclipse all others, Ruth Page explores the woman's unique sensibility, corporeal praxis, and collaborative ethos to reveal her Chicago-centered network of creativity.
Atsiliepimai