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Rolling Stones
Rolling Stones
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This the twelfth and final volume of O. Henry's work gets its title from an early newspaper venture of which he was the head and front. On April 28, 1894, there appeared in Austin, Texas, volume 1, number 3, of The Rolling Stone, with a circulation greatly in excess of that of the only two numbers that had gone before. Apparently the business office was encouraged. The first two issues of one thousand copies each had been bought up. Of the third an edition of six thousand was published and dist…

Rolling Stones (el. knyga) (skaityta knyga) | O Henry | knygos.lt

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This the twelfth and final volume of O. Henry's work gets its title from an early newspaper venture of which he was the head and front. On April 28, 1894, there appeared in Austin, Texas, volume 1, number 3, of The Rolling Stone, with a circulation greatly in excess of that of the only two numbers that had gone before. Apparently the business office was encouraged. The first two issues of one thousand copies each had been bought up. Of the third an edition of six thousand was published and distributed free, so that the business men of Austin, Texas, might know what a good medium was at hand for their advertising. The editor and proprietor and illustrator of The Rolling Stone was Will Porter, incidentally Paying and Receiving Teller in Major Brackenridge's bank. Perhaps the most characteristic feature of the paper was "The Plunkville Patriot," a page each week-or at least with the regularity of the somewhat uncertain paper itself-purporting to be reprinted from a contemporary journal. The editor of the Plunkville Patriot was Colonel Aristotle Jordan, unrelenting enemy of his enemies.

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This the twelfth and final volume of O. Henry's work gets its title from an early newspaper venture of which he was the head and front. On April 28, 1894, there appeared in Austin, Texas, volume 1, number 3, of The Rolling Stone, with a circulation greatly in excess of that of the only two numbers that had gone before. Apparently the business office was encouraged. The first two issues of one thousand copies each had been bought up. Of the third an edition of six thousand was published and distributed free, so that the business men of Austin, Texas, might know what a good medium was at hand for their advertising. The editor and proprietor and illustrator of The Rolling Stone was Will Porter, incidentally Paying and Receiving Teller in Major Brackenridge's bank. Perhaps the most characteristic feature of the paper was "The Plunkville Patriot," a page each week-or at least with the regularity of the somewhat uncertain paper itself-purporting to be reprinted from a contemporary journal. The editor of the Plunkville Patriot was Colonel Aristotle Jordan, unrelenting enemy of his enemies.

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