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Requiem for the Factory
Requiem for the Factory
Knygos.lt klubas Knygos.lt nariams
43,25 €
-30%
Įprastai
61,79 €
  • Išsiųsime per 12–18 d.d.
Requiem for the Factory is a conversation between two forms of writing: language, and light. This occurs in a tale that attempts to explore the relationality of a self to her self through the figure of a factory. Told through an "I" that refuses to remain stable, one is never sure whether this is a moment when the tale is recounted, recalled, or whether it is being told at the moment of telling. And this is why this requiem has to be narrated. What is foregrounded is not only the fact that memo…
  • Leidėjas:
  • Metai: 2012
  • Puslapiai: 122
  • ISBN-10: 981074336X
  • ISBN-13: 9789810743369
  • Formatas: 17.8 x 25.4 x 0.8 cm, minkšti viršeliai
  • Kalba: Anglų

Requiem for the Factory (el. knyga) (skaityta knyga) | knygos.lt

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Requiem for the Factory is a conversation between two forms of writing: language, and light. This occurs in a tale that attempts to explore the relationality of a self to her self through the figure of a factory. Told through an "I" that refuses to remain stable, one is never sure whether this is a moment when the tale is recounted, recalled, or whether it is being told at the moment of telling. And this is why this requiem has to be narrated. What is foregrounded is not only the fact that memory, history, is fictional, but more pertinently that the self-and the "I"-can only be uttered, perhaps even known, through fictionality. This is not to say that the self is imagined-unreal-but that the imaginary is in the very fabric of reality itself. This is a tale of two writings that are speaking to, and with, each other, whilst also speaking in their own realms at the very same time.

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  • Autorius: Jeremy Fernando
  • Leidėjas:
  • Metai: 2012
  • Puslapiai: 122
  • ISBN-10: 981074336X
  • ISBN-13: 9789810743369
  • Formatas: 17.8 x 25.4 x 0.8 cm, minkšti viršeliai
  • Kalba: Anglų

Requiem for the Factory is a conversation between two forms of writing: language, and light. This occurs in a tale that attempts to explore the relationality of a self to her self through the figure of a factory. Told through an "I" that refuses to remain stable, one is never sure whether this is a moment when the tale is recounted, recalled, or whether it is being told at the moment of telling. And this is why this requiem has to be narrated. What is foregrounded is not only the fact that memory, history, is fictional, but more pertinently that the self-and the "I"-can only be uttered, perhaps even known, through fictionality. This is not to say that the self is imagined-unreal-but that the imaginary is in the very fabric of reality itself. This is a tale of two writings that are speaking to, and with, each other, whilst also speaking in their own realms at the very same time.

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