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The book Regeneration [and its discontents] explores the concept of ‘regeneration’ that became a tool to explore multifaceted interaction between city, culture, art and politics. Resisting the temptation to reduce the city’s complexity into the binary opposition of ‘us’ vs ‘them’, specialists from different disciplines introduced strategies for activating positive urban and architectural development through art, aesthetics and sound. Dislodged from its predominantly urbanist implications, ‘regeneration’ escapes boundaries of one discipline and is a promising lens to think about different urban futures.
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